The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 1 – 5 из 58
Стр. 9
... particularly important for the modern actor , the structure of the thought demands both courage and discipline . The main part of this book , then , deals with the Shakespeare and with the challenge of classical text speaking of and it ...
... particularly important for the modern actor , the structure of the thought demands both courage and discipline . The main part of this book , then , deals with the Shakespeare and with the challenge of classical text speaking of and it ...
Стр. 16
... particularly sensitive to both criticism and to feelings of unease . This is true even in our everyday life : we find our voice changes according to how we feel our status to be at any given moment . It is also true that we are quite ...
... particularly sensitive to both criticism and to feelings of unease . This is true even in our everyday life : we find our voice changes according to how we feel our status to be at any given moment . It is also true that we are quite ...
Стр. 29
... the speech in the process ; what is important is to become aware of the energy of the words - particularly the consonants - and fill them out . Now the awareness of the room the sounds need helps. 29 SOUND AND MEANING.
... the speech in the process ; what is important is to become aware of the energy of the words - particularly the consonants - and fill them out . Now the awareness of the room the sounds need helps. 29 SOUND AND MEANING.
Стр. 30
... particularly this Cordelia speech and how we worked on it . Its whole nature changed because of the didactic sound of the German language , and how difficult it was for those German actors to free themselves from the functional meaning ...
... particularly this Cordelia speech and how we worked on it . Its whole nature changed because of the didactic sound of the German language , and how difficult it was for those German actors to free themselves from the functional meaning ...
Стр. 31
... . None of this is particularly difficult or complicated as we shall see : it is just a matter of focusing the energy that is already there . Chapter 2 HEIGHTENED VERSUS NATURALISTIC TEXT I know that many 31 SOUND AND MEANING.
... . None of this is particularly difficult or complicated as we shall see : it is just a matter of focusing the energy that is already there . Chapter 2 HEIGHTENED VERSUS NATURALISTIC TEXT I know that many 31 SOUND AND MEANING.
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing