The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the Exercises Chapter Six: Substance of the Text 1 Sounds: vowels and consonants 2 Hearing the language: substance of text 3 ...
... patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the Exercises Chapter Six: Substance of the Text 1 Sounds: vowels and consonants 2 Hearing the language: substance of text 3 ...
Стр. 15
... pattern. This is because our voice has evolved with us, and is therefore a complex mix of background, physical make-up and personality, and the interactions of one upon the other. And because of this we quite involuntarily make a ...
... pattern. This is because our voice has evolved with us, and is therefore a complex mix of background, physical make-up and personality, and the interactions of one upon the other. And because of this we quite involuntarily make a ...
Стр. 16
... patterns. Let me explain: given that our voice is our sound presence, and is the means by which we commit our private world to the world outside, it is tied up with how we think of ourselves — our self-image — and with the image of ...
... patterns. Let me explain: given that our voice is our sound presence, and is the means by which we commit our private world to the world outside, it is tied up with how we think of ourselves — our self-image — and with the image of ...
Стр. 19
... patterns and change, often subversively and always with wit. Yet words evolved out of noises which were first made to communicate basic needs; they were in fact signals. And we still have that sense memory within us —- that resonance if ...
... patterns and change, often subversively and always with wit. Yet words evolved out of noises which were first made to communicate basic needs; they were in fact signals. And we still have that sense memory within us —- that resonance if ...
Стр. 23
... pattern of working. The actor whose pattern it is to emphasize the logic of the character, will tend to be didactic and overweight the stress of the words. Technically this will make him press out the consonants and reduce the vowels to ...
... pattern of working. The actor whose pattern it is to emphasize the logic of the character, will tend to be didactic and overweight the stress of the words. Technically this will make him press out the consonants and reduce the vowels to ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |