The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 1 – 5 из 41
Стр. 5
... its logic, and its inquiry into nature 6 Argument and emotion 7 Word games and patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the Exercises Chapter Six: Substance of the ...
... its logic, and its inquiry into nature 6 Argument and emotion 7 Word games and patterns 8 Structure of speeches Part THREE: Shakespeare — the Practical Means Chapter Five: Introduction to the Exercises Chapter Six: Substance of the ...
Стр. 15
... I think we are trapped in our own sound and sound pattern. This is because our voice has evolved with us, and is therefore a complex mix of background, physical make-up and personality, and the interactions of one upon the other.
... I think we are trapped in our own sound and sound pattern. This is because our voice has evolved with us, and is therefore a complex mix of background, physical make-up and personality, and the interactions of one upon the other.
Стр. 16
It is curiously difficult to work on our own voice both boldly and creatively, because it means we have to let go of our own patterns. Let me explain: given that our voice is our sound presence, and is the means by which we commit our ...
It is curiously difficult to work on our own voice both boldly and creatively, because it means we have to let go of our own patterns. Let me explain: given that our voice is our sound presence, and is the means by which we commit our ...
Стр. 19
We also have highly sophisticated slang which communicates social patterns and change, often subversively and always with wit. Yet words evolved out of noises which were first made to communicate basic needs; they were in fact signals.
We also have highly sophisticated slang which communicates social patterns and change, often subversively and always with wit. Yet words evolved out of noises which were first made to communicate basic needs; they were in fact signals.
Стр. 23
This feeling that we need to present and be interesting, even at early stages of rehearsal, makes us press in some way. Each actor will press differently according to his inclination and his pattern of working. The actor whose pattern ...
This feeling that we need to present and be interesting, even at early stages of rehearsal, makes us press in some way. Each actor will press differently according to his inclination and his pattern of working. The actor whose pattern ...
Отзывы - Написать отзыв
Google не подтверждает отзывы, однако проверяет данные и удаляет недостоверную информацию.
LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |