The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 7
... into your eyes and you will glimpse that ingredient that makes her an inspirational teacher, her humanity, or perhaps I should say, her love. Jhmvok NUNN Acknowledgments The authnl would like to thank the following for.
... into your eyes and you will glimpse that ingredient that makes her an inspirational teacher, her humanity, or perhaps I should say, her love. Jhmvok NUNN Acknowledgments The authnl would like to thank the following for.
Стр. 9
... perhaps discover more possibilities within our own voice than we are aware of; because, in a very practical sense, the connection between the physical and verbal life of the characters is totally apparent and palpable; and lastly ...
... perhaps discover more possibilities within our own voice than we are aware of; because, in a very practical sense, the connection between the physical and verbal life of the characters is totally apparent and palpable; and lastly ...
Стр. 10
... perhaps useful here to recap briefly on what I have already written in Voice and the Actor', about how we arrive at our voice. Briefly it is this: the voice which we arrive at is the most intricate mixture of. ' First published by Harrap ...
... perhaps useful here to recap briefly on what I have already written in Voice and the Actor', about how we arrive at our voice. Briefly it is this: the voice which we arrive at is the most intricate mixture of. ' First published by Harrap ...
Стр. 15
... perhaps. 1 ATTITUDES T0 VOICE First, 1 want to look at the factors which hold us back from making the text as rich and alive as possible. This may seem negative, but 1 think there are certain attitudes and ways of working by which we ...
... perhaps. 1 ATTITUDES T0 VOICE First, 1 want to look at the factors which hold us back from making the text as rich and alive as possible. This may seem negative, but 1 think there are certain attitudes and ways of working by which we ...
Стр. 17
... perhaps ear. Now when we make adjustments to how we speak, the difference we hear inside our heads is often much greater than it sounds to the listener. Small differences seem big. Yet the actor has got to feel true to his sound, for ...
... perhaps ear. Now when we make adjustments to how we speak, the difference we hear inside our heads is often much greater than it sounds to the listener. Small differences seem big. Yet the actor has got to feel true to his sound, for ...
Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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