The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 7
... to hear her shrieks of laughter and her intense. private whispers as she looks full into your eyes and you will glimpse that ingredient that makes her an inspirational teacher, her humanity, or perhaps I should say, her love.
... to hear her shrieks of laughter and her intense. private whispers as she looks full into your eyes and you will glimpse that ingredient that makes her an inspirational teacher, her humanity, or perhaps I should say, her love.
Стр. 9
... and for these reasons: because it demands such a complete investment of ourselves in the words; because it is so rich and extraordinary we are forced to be bold and even extravagant and so perhaps discover more possibilities within ...
... and for these reasons: because it demands such a complete investment of ourselves in the words; because it is so rich and extraordinary we are forced to be bold and even extravagant and so perhaps discover more possibilities within ...
Стр. 10
As we shall be talking a great deal about the image we have of our own voice and how this conditions the way we work on it, it is perhaps useful here to recap briefly on what I have already written in Voice and the Actor', ...
As we shall be talking a great deal about the image we have of our own voice and how this conditions the way we work on it, it is perhaps useful here to recap briefly on what I have already written in Voice and the Actor', ...
Стр. 15
... reassessing our attitudes to language — never taking it for granted — for this is our commitment; and each piece of writing asks for a different connection between the actor and his audience, a different style of speaking perhaps.
... reassessing our attitudes to language — never taking it for granted — for this is our commitment; and each piece of writing asks for a different connection between the actor and his audience, a different style of speaking perhaps.
Стр. 17
He needs to know his voice both subjectively and objectively at the same time: he needs that third eye, or perhaps ear. Now when we make adjustments to how we speak, the difference we hear inside our heads is often much greater than it ...
He needs to know his voice both subjectively and objectively at the same time: he needs that third eye, or perhaps ear. Now when we make adjustments to how we speak, the difference we hear inside our heads is often much greater than it ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |