The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 10
... person recognizes what is happening with his own voice purely subjectively, and although the basic principles are common to cvcryonc, how we interpret them for ourselves varies enormously with each individual. This becomes even more ...
... person recognizes what is happening with his own voice purely subjectively, and although the basic principles are common to cvcryonc, how we interpret them for ourselves varies enormously with each individual. This becomes even more ...
Стр. 15
... person uses language (or does not use language) is pan of the essence of that person, so the actor has to be ready for the dialogue to take us into the world of the character —— he has to be able to pick up the resonances of the ...
... person uses language (or does not use language) is pan of the essence of that person, so the actor has to be ready for the dialogue to take us into the world of the character —— he has to be able to pick up the resonances of the ...
Стр. 19
... person interprets what is said in a slightly different way according to his skill and experience and nature , and although we are reaching after the same skill , that skill can be found in different ways . And , as all teachers know ...
... person interprets what is said in a slightly different way according to his skill and experience and nature , and although we are reaching after the same skill , that skill can be found in different ways . And , as all teachers know ...
Стр. 48
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Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing