The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 7
Her mission is to expand the awareness of language, its roots. its possibilities of meaning, its physical seat and vibration, its associations. its weight and texture and colour. More than a teacher, she is a director. an analyst. a ...
Her mission is to expand the awareness of language, its roots. its possibilities of meaning, its physical seat and vibration, its associations. its weight and texture and colour. More than a teacher, she is a director. an analyst. a ...
Стр. 9
... between the physical and verbal life of the characters is totally apparent and palpable; and lastly because, and this is particularly important for the modern actor, the structure of the thought demands both courage and discipline.
... between the physical and verbal life of the characters is totally apparent and palpable; and lastly because, and this is particularly important for the modern actor, the structure of the thought demands both courage and discipline.
Стр. 11
which we arrive at is the most intricate mixture of what we hear, how we hear it, and how we unconsciously use it in the light of our personality. our physical makeup and our experience. That is to say, how we use our voice is ...
which we arrive at is the most intricate mixture of what we hear, how we hear it, and how we unconsciously use it in the light of our personality. our physical makeup and our experience. That is to say, how we use our voice is ...
Стр. 15
This is because our voice has evolved with us, and is therefore a complex mix of background, physical make-up and personality, and the interactions of one upon the other. And because of this we quite involuntarily make a statement with ...
This is because our voice has evolved with us, and is therefore a complex mix of background, physical make-up and personality, and the interactions of one upon the other. And because of this we quite involuntarily make a statement with ...
Стр. 19
That is to say we are curiously unaware of their physical nature, and think of them mainly in terms of expressing reasons and ideas and of colouring them with feelings, and not in terms of our physical self being expressed ...
That is to say we are curiously unaware of their physical nature, and think of them mainly in terms of expressing reasons and ideas and of colouring them with feelings, and not in terms of our physical self being expressed ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |