The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 8
Item the plays (with the exception of Tina Andromcta)' taken from the New Penguin Shiteipeare, edited by TJlB. ... printed l' rum the New Mcmuids Edition, edited by Philip Brodtbenlt and Brim Morris, this play edited by Elinheth M.
Item the plays (with the exception of Tina Andromcta)' taken from the New Penguin Shiteipeare, edited by TJlB. ... printed l' rum the New Mcmuids Edition, edited by Philip Brodtbenlt and Brim Morris, this play edited by Elinheth M.
Стр. 9
For it seems to me there is so often a gap between the life that is going on imaginatively within the actor in order to create the reality of the character he is playing, and the life that he gives the text which he finally has to speak ...
For it seems to me there is so often a gap between the life that is going on imaginatively within the actor in order to create the reality of the character he is playing, and the life that he gives the text which he finally has to speak ...
Стр. 18
Whereas in a great deal of modern work the actor needs to play the sub-text against the spoken text, so there has to be a different kind of focus on the words. Also. different styles of production ask for different kinds of ...
Whereas in a great deal of modern work the actor needs to play the sub-text against the spoken text, so there has to be a different kind of focus on the words. Also. different styles of production ask for different kinds of ...
Стр. 28
The scene comes roughly thrcequarters of the way through the play, after Lear has been rejected by his two eldest daughters, has been exposed to the storm, and has been sighted wandering near the cliffs at Dover.
The scene comes roughly thrcequarters of the way through the play, after Lear has been rejected by his two eldest daughters, has been exposed to the storm, and has been sighted wandering near the cliffs at Dover.
Стр. 34
... though there are serious plays — those of Galsworthy or Maugham for instance — where the dialogue is more literary than spontaneous. Modern naturalistic prose writing ranges from the kind of gentle lyricism of Tennessee Williams to ...
... though there are serious plays — those of Galsworthy or Maugham for instance — where the dialogue is more literary than spontaneous. Modern naturalistic prose writing ranges from the kind of gentle lyricism of Tennessee Williams to ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |