The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... poetic text where there is a certain size to the language , and where the expectations of the listener are often an inhibiting factori.e . , these texts have been heard before . But whatever the style of the writing , the actor has to ...
... poetic text where there is a certain size to the language , and where the expectations of the listener are often an inhibiting factori.e . , these texts have been heard before . But whatever the style of the writing , the actor has to ...
Стр. 23
... poetic and romantic line , and the thoughts will more often than not become generalized . He presses out the mood , and we are then not put in touch with how the character thinks how he ticks which is in fact what the audience wants to ...
... poetic and romantic line , and the thoughts will more often than not become generalized . He presses out the mood , and we are then not put in touch with how the character thinks how he ticks which is in fact what the audience wants to ...
Стр. 32
... poetic writing is in some way less than real for one thing there are an awful lot of words ! - and it is therefore ... poet , Ferlinghetti : the poet like an acrobat climbs on rime For he's the super realist taut truth to a high wire of ...
... poetic writing is in some way less than real for one thing there are an awful lot of words ! - and it is therefore ... poet , Ferlinghetti : the poet like an acrobat climbs on rime For he's the super realist taut truth to a high wire of ...
Стр. 33
... poetic writing gets at truth in a different way from that which is naturalistic . We must find the common ground . For the actor whose main experience has been in modern work , perhaps a good deal of television and film , often the ...
... poetic writing gets at truth in a different way from that which is naturalistic . We must find the common ground . For the actor whose main experience has been in modern work , perhaps a good deal of television and film , often the ...
Стр. 34
... poetic writing is often naturalistic in sound : there are passages in Shakespeare and the Jacobeans that strike our ears as being totally modern , where the spareness and directness of a line can make us catch our breath in surprise at ...
... poetic writing is often naturalistic in sound : there are passages in Shakespeare and the Jacobeans that strike our ears as being totally modern , where the spareness and directness of a line can make us catch our breath in surprise at ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing