The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 6
... Jacobean text 2 Restoration text 3 Formal modern text 4 Modern text Part FOUR: Voice Work Chapter Eleven: Preparation 1 Finding the space 2 Using poetry 3 Cadence and note Chapter Twelve: Further Voice Exercises Further Perspectives ...
... Jacobean text 2 Restoration text 3 Formal modern text 4 Modern text Part FOUR: Voice Work Chapter Eleven: Preparation 1 Finding the space 2 Using poetry 3 Cadence and note Chapter Twelve: Further Voice Exercises Further Perspectives ...
Стр. 8
W73 edition; and for the poem vending mdmu, by Him Mqmn Enuntburger, tramlated by the author, “ken [mm the Puigiinllodtofsocilljst Vencjmptblixhodin 1970 New Dtrecucm Books for the poem Constantly risking atuurdu)' by Ltwrence ...
W73 edition; and for the poem vending mdmu, by Him Mqmn Enuntburger, tramlated by the author, “ken [mm the Puigiinllodtofsocilljst Vencjmptblixhodin 1970 New Dtrecucm Books for the poem Constantly risking atuurdu)' by Ltwrence ...
Стр. 9
And this is true of all kinds of text, both modern and classical, though the problems are different and the gap is more apparent in the speaking of heightened or poetic text where there is a certain size to the language, and where the ...
And this is true of all kinds of text, both modern and classical, though the problems are different and the gap is more apparent in the speaking of heightened or poetic text where there is a certain size to the language, and where the ...
Стр. 23
At the other end of the scale, the actor who is attracted by the emotional quality and mood of a character will find a poetic and romantic line, and the thoughts will more often than not become generalized. He presses out the mood, ...
At the other end of the scale, the actor who is attracted by the emotional quality and mood of a character will find a poetic and romantic line, and the thoughts will more often than not become generalized. He presses out the mood, ...
Стр. 32
Secondly, it has to do with a feeling that poetic writing is in some way less than real — for one thing there are an awful lot of words! —- and it is therefore more difficult to equate it with our own truth as a modern actor.
Secondly, it has to do with a feeling that poetic writing is in some way less than real — for one thing there are an awful lot of words! —- and it is therefore more difficult to equate it with our own truth as a modern actor.
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |