The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... reasons: because it demands such a complete investment of ourselves in the words; because it is so rich and extraordinary we are forced to be bold and even extravagant and so perhaps discover more possibilities within our own voice than ...
... reasons: because it demands such a complete investment of ourselves in the words; because it is so rich and extraordinary we are forced to be bold and even extravagant and so perhaps discover more possibilities within our own voice than ...
Стр. 11
... reason or to our emotions, so that we make them either only literal and logical, or alternatively only emotional. We do not use them as our thoughts in action, which are always shifting and changing, and are the result of both thought ...
... reason or to our emotions, so that we make them either only literal and logical, or alternatively only emotional. We do not use them as our thoughts in action, which are always shifting and changing, and are the result of both thought ...
Стр. 18
... reason for the words he has to speak, of relating them both to his own experience and to the motive of the character ... reasons in his head, without quite springing the energy of the thought into the words. In a sense, the words are by ...
... reason for the words he has to speak, of relating them both to his own experience and to the motive of the character ... reasons in his head, without quite springing the energy of the thought into the words. In a sense, the words are by ...
Стр. 19
... reason for the language and not the discovery of the thought. This does not stop us being able to have a perspective ... reasons and ideas and of colouring them with feelings, and not in terms of our physical self being expressed through ...
... reason for the language and not the discovery of the thought. This does not stop us being able to have a perspective ... reasons and ideas and of colouring them with feelings, and not in terms of our physical self being expressed through ...
Стр. 26
... reason than that we are afraid we will not have enough. 1 do believe that when we find this integration of thought and breath, when they are rooted down one with the other, the voice takes on a quite different and surprising energy, and ...
... reason than that we are afraid we will not have enough. 1 do believe that when we find this integration of thought and breath, when they are rooted down one with the other, the voice takes on a quite different and surprising energy, and ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |