The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 17
... rehearsal or in performance, feels he has said something both about himself and about his work which cannot be retracted. This is part of the pressure an actor has to deal with and which is not fully understood by those who are not ...
... rehearsal or in performance, feels he has said something both about himself and about his work which cannot be retracted. This is part of the pressure an actor has to deal with and which is not fully understood by those who are not ...
Стр. 20
... rehearsals of The Dream (one of so many things that he said which informed my attitude to work); and suddenly I realized how important it was to think about them in this way, for then the energy is handed from one character to the next ...
... rehearsals of The Dream (one of so many things that he said which informed my attitude to work); and suddenly I realized how important it was to think about them in this way, for then the energy is handed from one character to the next ...
Стр. 23
... rehearsal, makes us press in some way. Each actor will press differently according to his inclination and his pattern of working. The actor whose pattern it is to emphasize the logic of the character, will tend to be didactic and ...
... rehearsal, makes us press in some way. Each actor will press differently according to his inclination and his pattern of working. The actor whose pattern it is to emphasize the logic of the character, will tend to be didactic and ...
Стр. 42
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Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing