The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 1 – 5 из 83
Стр. 5
... Rhythm Chapter Four: Structures, Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image, its logic, and its inquiry into nature 6 Argument and ...
... Rhythm Chapter Four: Structures, Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 Discovery and movement of thought 5 Nature of the image, its logic, and its inquiry into nature 6 Argument and ...
Стр. 10
... rhythms of everyday speech, which need to be integrated into our speaking of verse. We should be always balancing the two for, in a sense, every piece oftext we speak on a stage is heightened 7— it is performed -— and we have to find ...
... rhythms of everyday speech, which need to be integrated into our speaking of verse. We should be always balancing the two for, in a sense, every piece oftext we speak on a stage is heightened 7— it is performed -— and we have to find ...
Стр. 20
... rhythmic and of a different and more public kind; I am talking about the physical response which we have to words which touch our inner thoughts and feelings, where the association of the word itself can evoke a response separate from ...
... rhythmic and of a different and more public kind; I am talking about the physical response which we have to words which touch our inner thoughts and feelings, where the association of the word itself can evoke a response separate from ...
Стр. 25
... rhythm and phrasing, but the structure of the words themselves — the dynamic of each word. We have to train ourselves to respond to words in a less obvious and stated way, so that their very movement contains our feeling. And this kind ...
... rhythm and phrasing, but the structure of the words themselves — the dynamic of each word. We have to train ourselves to respond to words in a less obvious and stated way, so that their very movement contains our feeling. And this kind ...
Стр. 27
... rhythm of the passage is totally related to the surge and current of the sea — there is more than grammatical sense here. For the whole thought becomes the current in which he is caught, and the specific words and phrases are like the ...
... rhythm of the passage is totally related to the surge and current of the sea — there is more than grammatical sense here. For the whole thought becomes the current in which he is caught, and the specific words and phrases are like the ...
Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing