The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 6
... Scene structures 4 Recap on speech structures 5 Sonnets Chapter Ten: Relating to Other Texts l Jacobean text 2 Restoration text 3 Formal modern text 4 Modern text Part FOUR: Voice Work Chapter Eleven: Preparation 1 Finding the space 2 ...
... Scene structures 4 Recap on speech structures 5 Sonnets Chapter Ten: Relating to Other Texts l Jacobean text 2 Restoration text 3 Formal modern text 4 Modern text Part FOUR: Voice Work Chapter Eleven: Preparation 1 Finding the space 2 ...
Стр. 26
... Scene 3, near the end of the central scene between Othello and Iago, during which Iago has worked so successfully on Othello's hidden doubts and jealousy that Othello believes Desdemona to have been unfaithful. And he is prepared to ...
... Scene 3, near the end of the central scene between Othello and Iago, during which Iago has worked so successfully on Othello's hidden doubts and jealousy that Othello believes Desdemona to have been unfaithful. And he is prepared to ...
Стр. 28
... Scene 4. The scene comes roughly thrcequarters of the way through the play, after Lear has been rejected by his two eldest daughters, has been exposed to the storm, and has been sighted wandering near the cliffs at Dover. His youngest ...
... Scene 4. The scene comes roughly thrcequarters of the way through the play, after Lear has been rejected by his two eldest daughters, has been exposed to the storm, and has been sighted wandering near the cliffs at Dover. His youngest ...
Стр. 35
... Scene 3, lago, dropping the seeds of suspicion into Othello's consciousness, says: Iago: Good name in man or woman, dear my lord, is the immediate jewel of their souls. Who steals my purse, steals trash; 'tis something, nothing; But he ...
... Scene 3, lago, dropping the seeds of suspicion into Othello's consciousness, says: Iago: Good name in man or woman, dear my lord, is the immediate jewel of their souls. Who steals my purse, steals trash; 'tis something, nothing; But he ...
Стр. 36
... Scene 2. Caliban: Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and sometimes voices That, if I then had waited ...
... Scene 2. Caliban: Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and sometimes voices That, if I then had waited ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing