The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... sense, the connection between the physical and verbal life of the characters is totally apparent and palpable; and lastly because, and this is particularly important for the modern actor, the structure of the thought demands both ...
... sense, the connection between the physical and verbal life of the characters is totally apparent and palpable; and lastly because, and this is particularly important for the modern actor, the structure of the thought demands both ...
Стр. 15
... sense, to get more adept at feeling its weight and movement. just as, in everyday life, how a person uses language (or does not use language) is pan of the essence of that person, so the actor has to be ready for the dialogue to take us ...
... sense, to get more adept at feeling its weight and movement. just as, in everyday life, how a person uses language (or does not use language) is pan of the essence of that person, so the actor has to be ready for the dialogue to take us ...
Стр. 16
... sense that it is tied up with our perception of our voice and how we would like it to sound, and also to how we feel at the time, we seldom hear it accurately. We obviously never hear it in the way we hear someone else's voice — we are ...
... sense that it is tied up with our perception of our voice and how we would like it to sound, and also to how we feel at the time, we seldom hear it accurately. We obviously never hear it in the way we hear someone else's voice — we are ...
Стр. 18
... sense of its importance. You could also say that the actor is not thinking specifically enough and therefore not pointing the phrases adequately, but I think that is an easy solution and not necessarily true. I think it is to do with ...
... sense of its importance. You could also say that the actor is not thinking specifically enough and therefore not pointing the phrases adequately, but I think that is an easy solution and not necessarily true. I think it is to do with ...
Стр. 19
... sense of being less consciously organized, and less culturally based. This of course does not mean that we should he uncontrolled; we must be clear and organized as to the motive and reasoning of the character, but the speaking should ...
... sense of being less consciously organized, and less culturally based. This of course does not mean that we should he uncontrolled; we must be clear and organized as to the motive and reasoning of the character, but the speaking should ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |