The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 6
... space 2 Using poetry 3 Cadence and note Chapter Twelve: Further Voice Exercises Further Perspectives Index of Quotations Quotes by Subject l7] l7] l78 l85 189 205 205 213 220 229 240 25] 25l 253 254 255 260 260 265 273 274 285 297 301 ...
... space 2 Using poetry 3 Cadence and note Chapter Twelve: Further Voice Exercises Further Perspectives Index of Quotations Quotes by Subject l7] l7] l78 l85 189 205 205 213 220 229 240 25] 25l 253 254 255 260 260 265 273 274 285 297 301 ...
Стр. 15
... space you are working in. And I feel strongly that we tend to work on voice as an end in itself, and somehow do not see that work through clearly enough to the specific speaking of text and, further, to our commitment to language ...
... space you are working in. And I feel strongly that we tend to work on voice as an end in itself, and somehow do not see that work through clearly enough to the specific speaking of text and, further, to our commitment to language ...
Стр. 21
... space you work in. An actor may have found all the right feelings and motives, he may be working from the gut if you like, but if he transmits these only naturalistically it will seldom be enough. We are obviously influenced in this by ...
... space you work in. An actor may have found all the right feelings and motives, he may be working from the gut if you like, but if he transmits these only naturalistically it will seldom be enough. We are obviously influenced in this by ...
Стр. 24
... spaces may bring. Most actors, for instance, keep up some form of basic movement work. All actors, l think, realize the import~ ance of voice and to what extent they are dependent on it, so they do exercises on relaxation, on breathing ...
... spaces may bring. Most actors, for instance, keep up some form of basic movement work. All actors, l think, realize the import~ ance of voice and to what extent they are dependent on it, so they do exercises on relaxation, on breathing ...
Стр. 25
... spaces. We know we need it when working on classical text where the thoughts are long and often span a number of lines; where, if we break that span we do not quite honour the meaning, or cannot quite twist the pay-off line in the way ...
... spaces. We know we need it when working on classical text where the thoughts are long and often span a number of lines; where, if we break that span we do not quite honour the meaning, or cannot quite twist the pay-off line in the way ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |