The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
Introduction This book is about ways of working on the speaking of text. Much has been written about the voice and the sound we make, and about articulation and verbal clarity, but little on how we bring all this to bear on the specific ...
Introduction This book is about ways of working on the speaking of text. Much has been written about the voice and the sound we make, and about articulation and verbal clarity, but little on how we bring all this to bear on the specific ...
Стр. 10
Work on Shakespeare opens our awareness to language in modern writing by adding to the resonance of the words we speak, even when they are rooted in a modern reality. And work on modern text keeps our cars tuned to the colloquial ...
Work on Shakespeare opens our awareness to language in modern writing by adding to the resonance of the words we speak, even when they are rooted in a modern reality. And work on modern text keeps our cars tuned to the colloquial ...
Стр. 11
That is to say, how we use our voice is conditioned by a) our environment and our attitude to that; b) our perception of sound and the accuracy with which we hear it (our car), and this is also involved with our aesthetic pleasure in ...
That is to say, how we use our voice is conditioned by a) our environment and our attitude to that; b) our perception of sound and the accuracy with which we hear it (our car), and this is also involved with our aesthetic pleasure in ...
Стр. 14
And then: 2 The practical application of exercises: that is to say I want to clarify the aims of the voice work we do, so that it gives maximum support to the words we speak. ideally, I suppose. every actor wants to know that his voice ...
And then: 2 The practical application of exercises: that is to say I want to clarify the aims of the voice work we do, so that it gives maximum support to the words we speak. ideally, I suppose. every actor wants to know that his voice ...
Стр. 17
So when an actor is working on a part, he needs to discover and experience feelings while he is speaking, while at the same time he must know what effect his voice is having. He needs to know his voice both subjectively and objectively ...
So when an actor is working on a part, he needs to discover and experience feelings while he is speaking, while at the same time he must know what effect his voice is having. He needs to know his voice both subjectively and objectively ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
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Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |