The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... specific speaking of text; and so I want to bring the two together in a practical way. For it seems to me there is so often a gap between the life that is going on imaginatively within the actor in order to create the reality of the ...
... specific speaking of text; and so I want to bring the two together in a practical way. For it seems to me there is so often a gap between the life that is going on imaginatively within the actor in order to create the reality of the ...
Стр. 15
... specific speaking of text and, further, to our commitment to language. Therefore we have to work at language as well as voice; we have to practise it, in a sense, to get more adept at feeling its weight and movement. just as, in ...
... specific speaking of text and, further, to our commitment to language. Therefore we have to work at language as well as voice; we have to practise it, in a sense, to get more adept at feeling its weight and movement. just as, in ...
Стр. 26
... specific way, we are at liberty to be open to the possibilities of the words, to let them free, and to be extravagant with them if that is required, without 'doing' anything with them. Let us look for a moment at the following ten lines ...
... specific way, we are at liberty to be open to the possibilities of the words, to let them free, and to be extravagant with them if that is required, without 'doing' anything with them. Let us look for a moment at the following ten lines ...
Стр. 27
... specific words and phrases are like the waves. If we honour each one of these small phrases, yet ride the whole sentence on one breath, we will come close to the elemental nature of that thought. That is the skill we need, yet without ...
... specific words and phrases are like the waves. If we honour each one of these small phrases, yet ride the whole sentence on one breath, we will come close to the elemental nature of that thought. That is the skill we need, yet without ...
Стр. 34
... specific rhythms and contains heightened iterative imagery, and needs as careful handling as verse. The rhythms are all-important: the dialogue of Beckett and Pinter has its own cadences which allow for silence; and Brenton, Barker ...
... specific rhythms and contains heightened iterative imagery, and needs as careful handling as verse. The rhythms are all-important: the dialogue of Beckett and Pinter has its own cadences which allow for silence; and Brenton, Barker ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |