The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 11
... speech is often a huge step to take. And it is important always to remember the subiective nature of the voice, for it helps us to work through the limitations we make for ourselves. In Voice and the Actor 1 have covered the general ...
... speech is often a huge step to take. And it is important always to remember the subiective nature of the voice, for it helps us to work through the limitations we make for ourselves. In Voice and the Actor 1 have covered the general ...
Стр. 17
... speech, either in rehearsal or in performance, feels he has said something both about himself and about his work which cannot be retracted. This is part of the pressure an actor has to deal with and which is not fully understood by ...
... speech, either in rehearsal or in performance, feels he has said something both about himself and about his work which cannot be retracted. This is part of the pressure an actor has to deal with and which is not fully understood by ...
Стр. 18
... speech is a balance we resist, for it is tied up with our own taste and our wish not to be crude. However, what is itnportant is that the energy of the thought and the word coincide. Obviously this is partly to do with how we use our ...
... speech is a balance we resist, for it is tied up with our own taste and our wish not to be crude. However, what is itnportant is that the energy of the thought and the word coincide. Obviously this is partly to do with how we use our ...
Стр. 26
... speech breathes. The lines come from Act II], Scene 3, near the end of the central scene between Othello and Iago, during which Iago has worked so successfully on Othello's hidden doubts and jealousy that Othello believes Desdemona to ...
... speech breathes. The lines come from Act II], Scene 3, near the end of the central scene between Othello and Iago, during which Iago has worked so successfully on Othello's hidden doubts and jealousy that Othello believes Desdemona to ...
Стр. 27
... speech from Antony and Cleopatra, and for the pragmatic philosophy of Ulysses in Troilus and Cressida. It works for long speeches in Shaw, in Rudkin and in Bond. The breath needed in this passage is deep and needs preparation as does ...
... speech from Antony and Cleopatra, and for the pragmatic philosophy of Ulysses in Troilus and Cressida. It works for long speeches in Shaw, in Rudkin and in Bond. The breath needed in this passage is deep and needs preparation as does ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |