The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 6
... Text and Style Chapter Nine: Further Points of Text l Prose 2 Heightcned music 3 Scene structures 4 Recap on speech structures 5 Sonnets Chapter Ten: Relating to Other Texts l Jacobean text 2 Restoration text 3 Formal modern text 4 ...
... Text and Style Chapter Nine: Further Points of Text l Prose 2 Heightcned music 3 Scene structures 4 Recap on speech structures 5 Sonnets Chapter Ten: Relating to Other Texts l Jacobean text 2 Restoration text 3 Formal modern text 4 ...
Стр. 9
... of heightened or poetic text where there is a certain size to the language, and where the expectations of the listener are often an inhibiting factor — i.e., these texts have been heard before. But whatever the style of the writing, ...
... of heightened or poetic text where there is a certain size to the language, and where the expectations of the listener are often an inhibiting factor — i.e., these texts have been heard before. But whatever the style of the writing, ...
Стр. 15
... reassessing our attitudes to language — never taking it for granted — for this is our commitment; and each piece of writing asks for a different connection between the actor and his audience, a different style of speaking perhaps.
... reassessing our attitudes to language — never taking it for granted — for this is our commitment; and each piece of writing asks for a different connection between the actor and his audience, a different style of speaking perhaps.
Стр. 18
Also. different styles of production ask for different kinds of concentration. But, whatever the style, and however naturalistic, language is always a positive choice. and as such it is special, and must create interest in the bearer.
Also. different styles of production ask for different kinds of concentration. But, whatever the style, and however naturalistic, language is always a positive choice. and as such it is special, and must create interest in the bearer.
Стр. 24
Because every job presents different challenges they have to renew ways of exploring character and character relationships, of relating to the narrative and style of each particular production; they have to keep alive to different ways ...
Because every job presents different challenges they have to renew ways of exploring character and character relationships, of relating to the narrative and style of each particular production; they have to keep alive to different ways ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |