The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 10
... talking a great deal about the image we have of our own voice and how this conditions the way we work on it, it is perhaps useful here to recap briefly on what I have already written in Voice and the Actor', about how we arrive at our ...
... talking a great deal about the image we have of our own voice and how this conditions the way we work on it, it is perhaps useful here to recap briefly on what I have already written in Voice and the Actor', about how we arrive at our ...
Стр. 16
... talk. None of this happens particularly consciously, or necessarily at a very deep level; nevertheless, the voice is extremely sensitive to our own ego. The important point I think is this: we are more strongly aware of our own sound ...
... talk. None of this happens particularly consciously, or necessarily at a very deep level; nevertheless, the voice is extremely sensitive to our own ego. The important point I think is this: we are more strongly aware of our own sound ...
Стр. 19
... talk about voice is always subjective, and each person interprets what is said in a slightly different way according to his skill and experience and nature, and although we are reaching after the same skill, that skill can be found in ...
... talk about voice is always subjective, and each person interprets what is said in a slightly different way according to his skill and experience and nature, and although we are reaching after the same skill, that skill can be found in ...
Стр. 20
... talking about the physical response which we have to words which touch our inner thoughts and feelings, where the ... talk about, a condition or event, where the act of committing this to words makes us not quite in control of our ...
... talking about the physical response which we have to words which touch our inner thoughts and feelings, where the ... talk about, a condition or event, where the act of committing this to words makes us not quite in control of our ...
Стр. 24
... talking about large movements, but simply an awareness that the words are themselves a movement — and this is quite subtle. It would seem more appropriate to express large emotions through dance and song than through the words and ...
... talking about large movements, but simply an awareness that the words are themselves a movement — and this is quite subtle. It would seem more appropriate to express large emotions through dance and song than through the words and ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |