The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 10
As we shall be talking a great deal about the image we have of our own voice and how this conditions the way we work on it, it is perhaps useful here to recap briefly on what I have already written in Voice and the Actor', ...
As we shall be talking a great deal about the image we have of our own voice and how this conditions the way we work on it, it is perhaps useful here to recap briefly on what I have already written in Voice and the Actor', ...
Стр. 16
... by criticism of our voice, even to the point of it inhibiting our wish to talk. None of this happens particularly consciously, or necessarily at a very deep level; nevertheless, the voice is extremely sensitive to our own ego.
... by criticism of our voice, even to the point of it inhibiting our wish to talk. None of this happens particularly consciously, or necessarily at a very deep level; nevertheless, the voice is extremely sensitive to our own ego.
Стр. 19
As I have said, to talk about voice is always subjective, and each person interprets what is said in a slightly different way according to his skill and experience and nature, and although we are reaching after the same skill, ...
As I have said, to talk about voice is always subjective, and each person interprets what is said in a slightly different way according to his skill and experience and nature, and although we are reaching after the same skill, ...
Стр. 20
I am not talking about rhetorical resonances which are rhythmic and of a different and more public kind; I am talking about the physical response which we have to words which touch our inner thoughts and feelings, where the association ...
I am not talking about rhetorical resonances which are rhythmic and of a different and more public kind; I am talking about the physical response which we have to words which touch our inner thoughts and feelings, where the association ...
Стр. 24
perhaps beyond our everyday usage, and I think the answer has always to be through some form of physical release: I am not talking about large movements, but simply an awareness that the words are themselves a movement — and this is ...
perhaps beyond our everyday usage, and I think the answer has always to be through some form of physical release: I am not talking about large movements, but simply an awareness that the words are themselves a movement — and this is ...
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LibraryThing Review
Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing Review
Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |