The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 7
... texture and colour. More than a teacher, she is a director. an analyst. a critic. a sociologist and above all. a restless and dissatisfied enquirer. Her work demands. and is given. an unusual amount of trust from campaign-hardened ...
... texture and colour. More than a teacher, she is a director. an analyst. a critic. a sociologist and above all. a restless and dissatisfied enquirer. Her work demands. and is given. an unusual amount of trust from campaign-hardened ...
Стр. 23
... texture. In other words it is less interesting. At the other end of the scale, the actor who is attracted by the emotional quality and mood of a character will find a poetic and romantic line, and the thoughts will more often than not ...
... texture. In other words it is less interesting. At the other end of the scale, the actor who is attracted by the emotional quality and mood of a character will find a poetic and romantic line, and the thoughts will more often than not ...
Стр. 30
... textures and colours. To sum up quite practically: through breath and verbal muscularity we must be so free that there is no sense of pressing the sound out' We must not, through lack of trust either in ourselves or in the text. over ...
... textures and colours. To sum up quite practically: through breath and verbal muscularity we must be so free that there is no sense of pressing the sound out' We must not, through lack of trust either in ourselves or in the text. over ...
Стр. 62
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Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing