The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 10
... things we have discovered together — practical ways of working on the text — which help us into the language and are useful. These have always been in the area of relating acting method to practical direct speaking. I would like ...
... things we have discovered together — practical ways of working on the text — which help us into the language and are useful. These have always been in the area of relating acting method to practical direct speaking. I would like ...
Стр. 14
... things: 1 The attitudes we have to our own voice: how we think of our own sound, and how this affects our work as an actor. And then: 2 The practical application of exercises: that is to say I want to clarify the aims of the voice work ...
... things: 1 The attitudes we have to our own voice: how we think of our own sound, and how this affects our work as an actor. And then: 2 The practical application of exercises: that is to say I want to clarify the aims of the voice work ...
Стр. 17
... thing for us to notice is this: that we frequently get over our intention by loading the sound with meaning, and this overlays and dominates the words. (And this again is tied up with our subconscious emotional response to the sound of ...
... thing for us to notice is this: that we frequently get over our intention by loading the sound with meaning, and this overlays and dominates the words. (And this again is tied up with our subconscious emotional response to the sound of ...
Стр. 19
... thing in more than one way. As I have said, to talk about voice is always subjective, and each person interprets what is said in a slightly different way according to his skill and experience and nature, and although we are reaching ...
... thing in more than one way. As I have said, to talk about voice is always subjective, and each person interprets what is said in a slightly different way according to his skill and experience and nature, and although we are reaching ...
Стр. 20
... things that he said which informed my attitude to work); and suddenly I realized how important it was to think about them in this way, for then the energy is handed from one character to the next, and the words become an active force ...
... things that he said which informed my attitude to work); and suddenly I realized how important it was to think about them in this way, for then the energy is handed from one character to the next, and the words become an active force ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |