The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... Structures, Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 ... thought 5 Nature of the image, its logic, and its inquiry into nature 6 Argument and emotion 7 Word games and patterns 8 Structure ...
... Structures, Energy' Imagery and Sound 1 Energy through the text 2 Antithesis 3 Substance of the word 4 ... thought 5 Nature of the image, its logic, and its inquiry into nature 6 Argument and emotion 7 Word games and patterns 8 Structure ...
Стр. 9
... structure of the thought demands both courage and discipline. The main part of this book, then, deals with the speaking of Shakespeare and with the challenge of classical text — and it is practical. Having worked in a company for over ...
... structure of the thought demands both courage and discipline. The main part of this book, then, deals with the speaking of Shakespeare and with the challenge of classical text — and it is practical. Having worked in a company for over ...
Стр. 25
... thought, we simply do not hear what the language is doing; and here I mean structure not only of the rhythm and phrasing, but the structure of the words themselves — the dynamic of each word. We have to train ourselves to respond to ...
... thought, we simply do not hear what the language is doing; and here I mean structure not only of the rhythm and phrasing, but the structure of the words themselves — the dynamic of each word. We have to train ourselves to respond to ...
Стр. 27
... structure and rhythm of the passage is totally related to the surge and current of the sea — there is more than grammatical sense here. For the whole thought becomes the current in which he is caught, and the specific words and phrases ...
... structure and rhythm of the passage is totally related to the surge and current of the sea — there is more than grammatical sense here. For the whole thought becomes the current in which he is caught, and the specific words and phrases ...
Стр. 33
... thought and emotion, and perhaps an under-stated way of expressing these -—- seem to work against him when speaking ... structure — and when this happens it can be very powerful. Conversely, I believe that an awareness of fortn and of ...
... thought and emotion, and perhaps an under-stated way of expressing these -—- seem to work against him when speaking ... structure — and when this happens it can be very powerful. Conversely, I believe that an awareness of fortn and of ...
Содержание
8 | |
24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing