The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 8
... verses {rum hi: Valedicn'on' Forbwbtg Mowningmrhledlmn by llJ.C. Gricrmn'fim polished in 1933' Email Benn Ltd. {a the quotation from The Dultzn ufMalft, by John Webster, printed l' rum the New Mcmuids Edition, edited by Philip ...
... verses {rum hi: Valedicn'on' Forbwbtg Mowningmrhledlmn by llJ.C. Gricrmn'fim polished in 1933' Email Benn Ltd. {a the quotation from The Dultzn ufMalft, by John Webster, printed l' rum the New Mcmuids Edition, edited by Philip ...
Стр. 10
... verse. We should be always balancing the two for, in a sense, every piece oftext we speak on a stage is heightened 7— it is performed -— and we have to find its particular voice and place that particular language, I think it is also ...
... verse. We should be always balancing the two for, in a sense, every piece oftext we speak on a stage is heightened 7— it is performed -— and we have to find its particular voice and place that particular language, I think it is also ...
Стр. 32
... verse. I am of course talking of those who would like to but simply do not feel comfortable with it. This can be true of those with a good deal of acting experience, as well as those just starting out in the theatre, though obviously at ...
... verse. I am of course talking of those who would like to but simply do not feel comfortable with it. This can be true of those with a good deal of acting experience, as well as those just starting out in the theatre, though obviously at ...
Стр. 33
... verse text, both classical and modern: it is the vigour of the text that is surprising and earths it. So often a regional accent in Shakespeare gives it a new life. The resistance 1 think comes from a feeling that the language does not ...
... verse text, both classical and modern: it is the vigour of the text that is surprising and earths it. So often a regional accent in Shakespeare gives it a new life. The resistance 1 think comes from a feeling that the language does not ...
Стр. 34
... verse drama, but it is always highly shaped and has its particular cadence. Eliot's verse moves in and out of colloquialisms. Then there is a huge amount of dramatic prose writing, from Restoration comedy to Shaw and Coward, which is ...
... verse drama, but it is always highly shaped and has its particular cadence. Eliot's verse moves in and out of colloquialisms. Then there is a huge amount of dramatic prose writing, from Restoration comedy to Shaw and Coward, which is ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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