The Actor And The TextCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 8
The Word University Heat [or Son; by John Dame. and thml: verses {rum hi: Valedicn'on' Forbwbtg Mowningmrhledlmn by llJ.C. Gricrmn'fim polished in 1933' Email Benn Ltd. {a the quotation from The Dultzn ufMalft, by John Webster, ...
The Word University Heat [or Son; by John Dame. and thml: verses {rum hi: Valedicn'on' Forbwbtg Mowningmrhledlmn by llJ.C. Gricrmn'fim polished in 1933' Email Benn Ltd. {a the quotation from The Dultzn ufMalft, by John Webster, ...
Стр. 10
And work on modern text keeps our cars tuned to the colloquial rhythms of everyday speech, which need to be integrated into our speaking of verse. We should be always balancing the two for, in a sense, every piece oftext we speak on a ...
And work on modern text keeps our cars tuned to the colloquial rhythms of everyday speech, which need to be integrated into our speaking of verse. We should be always balancing the two for, in a sense, every piece oftext we speak on a ...
Стр. 32
Chapter 2 HEIGHTENED VERSUS NATURALISTIC TEXT l know that many actors find it difficult to work within the structure of dramatic verse. I am of course talking of those who would like to but simply do not feel comfortable with it.
Chapter 2 HEIGHTENED VERSUS NATURALISTIC TEXT l know that many actors find it difficult to work within the structure of dramatic verse. I am of course talking of those who would like to but simply do not feel comfortable with it.
Стр. 33
And this goes for all verse text, both classical and modern: it is the vigour of the text that is surprising and earths it. So often a regional accent in Shakespeare gives it a new life. The resistance 1 think comes from a feeling that ...
And this goes for all verse text, both classical and modern: it is the vigour of the text that is surprising and earths it. So often a regional accent in Shakespeare gives it a new life. The resistance 1 think comes from a feeling that ...
Стр. 34
There is a good deal of prose in verse drama, but it is always highly shaped and has its particular cadence. Eliot's verse moves in and out of colloquialisms. Then there is a huge amount of dramatic prose writing, from Restoration ...
There is a good deal of prose in verse drama, but it is always highly shaped and has its particular cadence. Eliot's verse moves in and out of colloquialisms. Then there is a huge amount of dramatic prose writing, from Restoration ...
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Пользовательский отзыв - DeborahJ2016 - LibraryThingA guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
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Пользовательский отзыв - Roger_Scoppie - LibraryThingThis is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |