The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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... VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY FOREWORD BY TREVOR NUNN THE ACTOR AND THE TEXT Also by Cicely Berry Voice. THE ACTOR Front Cover.
... VOICE DIRECTOR OF THE ROYAL SHAKESPEARE COMPANY FOREWORD BY TREVOR NUNN THE ACTOR AND THE TEXT Also by Cicely Berry Voice. THE ACTOR Front Cover.
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Cicely Berry. Also by Cicely Berry Voice and the Actor Your Voice and How to Use It Successfully THE ACTOR AND THE TEXT Cicely Berry REVISED EDITION Foreword.
Cicely Berry. Also by Cicely Berry Voice and the Actor Your Voice and How to Use It Successfully THE ACTOR AND THE TEXT Cicely Berry REVISED EDITION Foreword.
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... Voice and Text Chapter One : Sound and Meaning 1 Attitudes to voice 2 The practical means Chapter Two : Heightened versus Naturalistic Text Part TWO : Shakespeare Setting out the Rules Chapter Three : Metre and Rhythm Chapter Four ...
... Voice and Text Chapter One : Sound and Meaning 1 Attitudes to voice 2 The practical means Chapter Two : Heightened versus Naturalistic Text Part TWO : Shakespeare Setting out the Rules Chapter Three : Metre and Rhythm Chapter Four ...
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... Voice Work Chapter Eleven : Preparation 1 Finding the space 2 Using poetry 3 Cadence and note Chapter Twelve : Further Voice Exercises Further Perspectives Index of Quotations Quotes by Subject 171 171 178 185 189 205 205 213 220 229 ...
... Voice Work Chapter Eleven : Preparation 1 Finding the space 2 Using poetry 3 Cadence and note Chapter Twelve : Further Voice Exercises Further Perspectives Index of Quotations Quotes by Subject 171 171 178 185 189 205 205 213 220 229 ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing