The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 5
... : Substance of the Text Chapter Five : Introduction to the Exercises 1 Sounds : vowels and consonants 2 Hearing the language : substance of text 3 Language fabric 140 143 143 148 157 Chapter Seven : Metre and Energy 1 Metre 2 Energy.
... : Substance of the Text Chapter Five : Introduction to the Exercises 1 Sounds : vowels and consonants 2 Hearing the language : substance of text 3 Language fabric 140 143 143 148 157 Chapter Seven : Metre and Energy 1 Metre 2 Energy.
Стр. 21
... vowels and the consonants , being aware of the physical movement of the words and making them reach . We tend to reduce their possibilities to our everyday expectation of them -- anything else sounds slightly false to our ears instead ...
... vowels and the consonants , being aware of the physical movement of the words and making them reach . We tend to reduce their possibilities to our everyday expectation of them -- anything else sounds slightly false to our ears instead ...
Стр. 23
... vowels to equal short weight and length . The speaking then becomes emphatic , which at once reduces the possibilities within the text by keeping it at a totally logical level . It is literal and allows for no ambiguity , and therefore ...
... vowels to equal short weight and length . The speaking then becomes emphatic , which at once reduces the possibilities within the text by keeping it at a totally logical level . It is literal and allows for no ambiguity , and therefore ...
Стр. 29
... vowels and consonants is limitless , for the length of the consonant affects the length of the vowel . And further , you will see that the weight and substance of the words coincide with the meaning in a remarkable way . In literary ...
... vowels and consonants is limitless , for the length of the consonant affects the length of the vowel . And further , you will see that the weight and substance of the words coincide with the meaning in a remarkable way . In literary ...
Стр. 33
... vowels were longer and more open , the final ' r's ' were pronounced , and it was probably much closer to present ... vowel sounds . And this goes for all verse text , both classical and modern : it is the vigour of the text that ...
... vowels were longer and more open , the final ' r's ' were pronounced , and it was probably much closer to present ... vowel sounds . And this goes for all verse text , both classical and modern : it is the vigour of the text that ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing