The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 1 – 5 из 36
Стр. 7
... weight and texture and colour . More than a teacher , she is a director , an analyst , a critic , a sociologist and above all , a restless and dissatisfied enquirer . Her work demands , and is given , an unusual amount of trust from ...
... weight and texture and colour . More than a teacher , she is a director , an analyst , a critic , a sociologist and above all , a restless and dissatisfied enquirer . Her work demands , and is given , an unusual amount of trust from ...
Стр. 15
... weight and movement . Just as , in everyday life , how a person uses language ( or does not use language ) is part of the essence of that person , so the actor has to be ready for the dialogue to take us into the world of the character ...
... weight and movement . Just as , in everyday life , how a person uses language ( or does not use language ) is part of the essence of that person , so the actor has to be ready for the dialogue to take us into the world of the character ...
Стр. 17
... weight , and length and they take on a new focus and layer of meaning . The crucial thing for us to notice is this : that we frequently get over our intention by loading the sound with meaning , and this overlays and dominates the words ...
... weight , and length and they take on a new focus and layer of meaning . The crucial thing for us to notice is this : that we frequently get over our intention by loading the sound with meaning , and this overlays and dominates the words ...
Стр. 23
... weight and length . The speaking then becomes emphatic , which at once reduces the possibilities within the text by keeping it at a totally logical level . It is literal and allows for no ambiguity , and therefore no richness of texture ...
... weight and length . The speaking then becomes emphatic , which at once reduces the possibilities within the text by keeping it at a totally logical level . It is literal and allows for no ambiguity , and therefore no richness of texture ...
Стр. 28
... my outward worth . Speak those lines through for yourself out loud , firmly but unhurriedly . Notice the different weight and substance of the words : how light ' hemlock , nettles , cuckoo - flowers ' against 28 THE ACTOR AND THE TEXT.
... my outward worth . Speak those lines through for yourself out loud , firmly but unhurriedly . Notice the different weight and substance of the words : how light ' hemlock , nettles , cuckoo - flowers ' against 28 THE ACTOR AND THE TEXT.
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing