The Actor And The Text
Random House, 29 февр. 2012 г. - Всего страниц: 304
Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.
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So, we have to find ways to get them not only on our tongue, but to make them part of our whole physical self in order to release them from the tyranny of the mind. All these points are quite simple, and we know them in our heads, ...
And this kind of response demands our whole attention: we have to be physically as well as imaginitively prepared. 80 I want to clarify our attitude to the work in three areas. (a) Relaxation. Obviously this is of vital importance, for, ...
For the whole thought becomes the current in which he is caught, and the specific words and phrases are like the waves. If we honour each one of these small phrases, yet ride the whole sentence on one breath, we will come close to the ...
Its whole nature changed because of the didactic sound of the German language, and how difficult it was for those German actors to free themselves from the functional meaning of the words in order to find the quality of the thought, ...
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LibraryThing ReviewПользовательский отзыв - DeborahJ2016 - LibraryThing
A guide to exploring the written and spoken styles of theatre and language and how to approach them as a performer. Includes warm-up exercises and rehearsal techniques. Читать весь отзыв
LibraryThing ReviewПользовательский отзыв - Roger_Scoppie - LibraryThing
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional ... Читать весь отзыв
Further Points of Text
Relating to Other Texts
Further Voice Exercises
Index of Quotations