The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 1 – 5 из 80
Стр. 22
... whole physical self in order to release them from the tyranny of the mind . All these points are quite simple , and we know them in our heads , but it is often difficult to get the right perspective on them . For what is always working ...
... whole physical self in order to release them from the tyranny of the mind . All these points are quite simple , and we know them in our heads , but it is often difficult to get the right perspective on them . For what is always working ...
Стр. 25
... whole attention : we have to be physically as well as imaginitively prepared . So I want to clarify our attitude to the work in three areas . ( a ) Relaxation . Obviously this is of vital importance , for , in a sense , relaxation is ...
... whole attention : we have to be physically as well as imaginitively prepared . So I want to clarify our attitude to the work in three areas . ( a ) Relaxation . Obviously this is of vital importance , for , in a sense , relaxation is ...
Стр. 27
... whole thought becomes the current in which he is caught , and the specific words and phrases are like the waves . If we honour each one of these small phrases , yet ride the whole sentence on one breath , we will come close to the ...
... whole thought becomes the current in which he is caught , and the specific words and phrases are like the waves . If we honour each one of these small phrases , yet ride the whole sentence on one breath , we will come close to the ...
Стр. 30
... whole nature changed because of the didactic sound of the German language , and how difficult it was for those German actors to free themselves from the functional meaning of the words in order to find the quality of the thought , and ...
... whole nature changed because of the didactic sound of the German language , and how difficult it was for those German actors to free themselves from the functional meaning of the words in order to find the quality of the thought , and ...
Стр. 38
Вы достигли ограничения на просмотр для этой книги.
Вы достигли ограничения на просмотр для этой книги.
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing