The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 9
... writing, the actor has to find the right energy for that particular text; if his energy becomes too inward and controlled the words become dull; if he presses too much energy out the words will be unfocused and the thought will be ...
... writing, the actor has to find the right energy for that particular text; if his energy becomes too inward and controlled the words become dull; if he presses too much energy out the words will be unfocused and the thought will be ...
Стр. 10
... writing, for this always feeds our response to Shakespeare, and vice vcrsa. We are always lucky when we have an opportunity to work on both, for it is the interchange between modern and classical writing that enriches both and makes ...
... writing, for this always feeds our response to Shakespeare, and vice vcrsa. We are always lucky when we have an opportunity to work on both, for it is the interchange between modern and classical writing that enriches both and makes ...
Стр. 11
... writing it I have developed the work and I think the emphasis has slightly changed. But my starting-point here will be that exercises are already part of the actor's work, that range and flexibility are opened out. and the voice is in ...
... writing it I have developed the work and I think the emphasis has slightly changed. But my starting-point here will be that exercises are already part of the actor's work, that range and flexibility are opened out. and the voice is in ...
Стр. 15
... writing asks for a different connection between the actor and his audience, a different style of speaking perhaps. 1 ATTITUDES T0 VOICE First, 1 want to look at the factors which hold us back from making the text as rich and alive as ...
... writing asks for a different connection between the actor and his audience, a different style of speaking perhaps. 1 ATTITUDES T0 VOICE First, 1 want to look at the factors which hold us back from making the text as rich and alive as ...
Стр. 17
... writer cannot take the words back once they are in print, so an actor, once he has committed himself to speech, either in rehearsal or in performance, feels he has said something both about himself and about his work which cannot be ...
... writer cannot take the words back once they are in print, so an actor, once he has committed himself to speech, either in rehearsal or in performance, feels he has said something both about himself and about his work which cannot be ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |