The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 26
... Othello, just at how the speech breathes. The lines come from Act II], Scene 3, near the end of the central scene between Othello and Iago, during which Iago has worked so successfully on Othello's hidden doubts and jealousy that Othello ...
... Othello, just at how the speech breathes. The lines come from Act II], Scene 3, near the end of the central scene between Othello and Iago, during which Iago has worked so successfully on Othello's hidden doubts and jealousy that Othello ...
Стр. 27
Cicely Berry. Othello: 0, blood, blood, blood! Iago: Patience, I say: your mind perhaps may change. Othello: Never, Iago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the ...
Cicely Berry. Othello: 0, blood, blood, blood! Iago: Patience, I say: your mind perhaps may change. Othello: Never, Iago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the ...
Стр. 35
... Othello, and is to do with choice of vocabulary. ln Act Ill, Scene 3, lago, dropping the seeds of suspicion into Othello's consciousness, says: Iago: Good name in man or woman, dear my lord, is the immediate jewel of their souls. Who ...
... Othello, and is to do with choice of vocabulary. ln Act Ill, Scene 3, lago, dropping the seeds of suspicion into Othello's consciousness, says: Iago: Good name in man or woman, dear my lord, is the immediate jewel of their souls. Who ...
Стр. 36
Cicely Berry. manipulation of Othello. He could have used two other words, but these two are both implicitly in opposition to 'good name'; and what is more, they both sound ugly. We are therefore receiving information through choice and ...
Cicely Berry. manipulation of Othello. He could have used two other words, but these two are both implicitly in opposition to 'good name'; and what is more, they both sound ugly. We are therefore receiving information through choice and ...
Стр. 65
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Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |