The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 22
... moved by them, than do the more sophisticated and highly educated 'A' Level students, They get closer to the sense that a character can be possessed by the words, and as it were, driven by them. And in the prison where I work quite ...
... moved by them, than do the more sophisticated and highly educated 'A' Level students, They get closer to the sense that a character can be possessed by the words, and as it were, driven by them. And in the prison where I work quite ...
Стр. 26
... moving, and the quality of the thought becomes active. We also see that how we share the breath is how we share the thought. If we waste the breath, we disperse and generalize the thought; and, conversely, if we hold on to the breath in ...
... moving, and the quality of the thought becomes active. We also see that how we share the breath is how we share the thought. If we waste the breath, we disperse and generalize the thought; and, conversely, if we hold on to the breath in ...
Стр. 27
... moved by the current of his own passion. When the breath works for you in this way, it takes the words down to a physical level, deeper than the intellect, and it allows us to be uncmphatic. The passion is then allowed to come through ...
... moved by the current of his own passion. When the breath works for you in this way, it takes the words down to a physical level, deeper than the intellect, and it allows us to be uncmphatic. The passion is then allowed to come through ...
Стр. 28
... move more quickly, and for that purpose are good, but they will not necessarily enhance our use of words. For each word has its own energy and substance within its context, and this is the awareness we must grow to. Exercises are ...
... move more quickly, and for that purpose are good, but they will not necessarily enhance our use of words. For each word has its own energy and substance within its context, and this is the awareness we must grow to. Exercises are ...
Стр. 30
... moves and changes through the speech, We sang out and danced through the list of weeds — 'tippigem Erdrauch und Furchenkraut, mil Ampfer, Schierling, Nesseln, Kuckucksblumen' — to take those words beyond a functional list. and to make ...
... moves and changes through the speech, We sang out and danced through the list of weeds — 'tippigem Erdrauch und Furchenkraut, mil Ampfer, Schierling, Nesseln, Kuckucksblumen' — to take those words beyond a functional list. and to make ...
Содержание
| 8 | |
| 24 | |
Shakespeare Setting out the Rules | 52 |
Structures Energy Imagery and Sound | 82 |
Shakespeare the Practical Means | 143 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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actor antithesis Antony and Cleopatra audience aware become beginning breath caesura character Cicely Berry consonants Coriolanus defined Delroy dialogue difficult doth Dream emotional energy exercises feel final find finding finish first fit give Hamlet happens hath hear heightened Hippolyta Iago imagery important influenced Juliet Julius Caesar keep King King Lear language Lear Leontes listener look Macbeth meaning metre mind move movement naturalistic notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text specific speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus verse voice vowels weight whole Winter's Tale words writing
Библиографические данные
| Название | The Actor And The Text |
| Автор | Cicely Berry |
| Издание: | исправленное |
| Издатель | Random House, 2012 |
| ISBN | 0753547341, 9780753547342 |
| Количество страниц | Всего страниц: 304 |
| Экспорт цитаты | BiBTeX EndNote RefMan |