Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 37–ի 1-ից 3-ը:
Էջ vi
... century England , but also in seventeenth century France , to which the eighteenth century practice is so much indebted . I have often felt the need for a volume of selections , showing in ordered and articulated fashion how the early ...
... century England , but also in seventeenth century France , to which the eighteenth century practice is so much indebted . I have often felt the need for a volume of selections , showing in ordered and articulated fashion how the early ...
Էջ 160
... century . The diversity and variety of twentieth century fiction but reflect the diversity and variety that attended the novel at its birth . Perhaps the clearest way of following the succession of the different theories of structure in ...
... century . The diversity and variety of twentieth century fiction but reflect the diversity and variety that attended the novel at its birth . Perhaps the clearest way of following the succession of the different theories of structure in ...
Էջ 201
... century novel . For one thing , the term ' the twentieth century novel ' is too vague . When one speaks of the eighteenth century novel , for example , the phrase conjures up those few books sifted by time as the best and most ...
... century novel . For one thing , the term ' the twentieth century novel ' is too vague . When one speaks of the eighteenth century novel , for example , the phrase conjures up those few books sifted by time as the best and most ...
Բովանդակություն
The timeobsession of fiction | 13 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock Conrad consciousness contemporary continuity conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fiction fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited living matter meaning medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence simultaneously Sterne story structure suspense symbols technique temporal tense theme thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis