Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 47–ի 1-ից 3-ը:
Էջ 38
... conscious- ness , breadthwise cutting and the interpretative tech- niques of modern psychology have made the novel turn inward and probe to the lower levels of consciousness for its material . Action is accorded a subsidiary role as ...
... conscious- ness , breadthwise cutting and the interpretative tech- niques of modern psychology have made the novel turn inward and probe to the lower levels of consciousness for its material . Action is accorded a subsidiary role as ...
Էջ 120
... consciousness as it is remembered : Time is our consciousness of the succession of ideas in our mind . Vivid sensation , of either pain or pleasure , makes the time seem long , as the common phrase is , because it renders us more ...
... consciousness as it is remembered : Time is our consciousness of the succession of ideas in our mind . Vivid sensation , of either pain or pleasure , makes the time seem long , as the common phrase is , because it renders us more ...
Էջ 205
... consciousness , of the human scene and the human subject in general , than the three or four generations before us ... conscious and semi - conscious motive , expressed in a sequence of discrete states of mind . Subsequent ...
... consciousness , of the human scene and the human subject in general , than the three or four generations before us ... conscious and semi - conscious motive , expressed in a sequence of discrete states of mind . Subsequent ...
Բովանդակություն
The timeobsession of fiction | 13 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock Conrad consciousness contemporary continuity conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fiction fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited living matter meaning medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence simultaneously Sterne story structure suspense symbols technique temporal tense theme thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis