Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 40–ի 1-ից 3-ը:
Էջ 80
... matter of convention by the fact that the characters have lived outside the story , no matter how intensively or how long they live within it , that no one and nothing can be completely described unless 80 TIME AND THE NOVEL.
... matter of convention by the fact that the characters have lived outside the story , no matter how intensively or how long they live within it , that no one and nothing can be completely described unless 80 TIME AND THE NOVEL.
Էջ 81
... matter how short in terms of fictional time they are , no matter how lengthily in terms of the chronological time of reading they are treated . It is precisely this second kind of selection that engrosses the modernist writer's interest ...
... matter how short in terms of fictional time they are , no matter how lengthily in terms of the chronological time of reading they are treated . It is precisely this second kind of selection that engrosses the modernist writer's interest ...
Էջ 170
... matter how slight , no matter where it occurs in the book , no matter how often it is interrupted and taken up again , but falls into its correct place in time in relation to every other incident . Slips in dating are very rare , one or ...
... matter how slight , no matter where it occurs in the book , no matter how often it is interrupted and taken up again , but falls into its correct place in time in relation to every other incident . Slips in dating are very rare , one or ...
Բովանդակություն
The timeobsession of fiction | 13 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock Conrad consciousness contemporary continuity conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fiction fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited living matter meaning medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence simultaneously Sterne story structure suspense symbols technique temporal tense theme thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis