Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 37–ի 1-ից 3-ը:
Էջ 23
... medium : the subject of a piece of sculpture may suggest dynamic action though the medium is static , while the subject of a poem may suggest static bodies though the medium is dynamic . Thus in a novel , what is being expressed may in ...
... medium : the subject of a piece of sculpture may suggest dynamic action though the medium is static , while the subject of a poem may suggest static bodies though the medium is dynamic . Thus in a novel , what is being expressed may in ...
Էջ 32
... medium of fiction , language , imposes the most fundamental limitation on the writer's art , and conditions the ' what ' no less than the ' how ' of his writing . Words are distinct and separate units , even though their semantic edges ...
... medium of fiction , language , imposes the most fundamental limitation on the writer's art , and conditions the ' what ' no less than the ' how ' of his writing . Words are distinct and separate units , even though their semantic edges ...
Էջ 50
... medium can express simultaneous effects , and that a discrete medium can express flow . One need only mention the names of James Joyce , Gertrude Stein and Virginia Woolf to indicate the extent of the revolt against these conventions ...
... medium can express simultaneous effects , and that a discrete medium can express flow . One need only mention the names of James Joyce , Gertrude Stein and Virginia Woolf to indicate the extent of the revolt against these conventions ...
Բովանդակություն
The timeobsession of fiction | 13 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock Conrad consciousness contemporary continuity conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fiction fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited living matter meaning medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence simultaneously Sterne story structure suspense symbols technique temporal tense theme thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis