Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 54–ի 1-ից 3-ը:
Էջ 80
... mind . They would go further and introduce the marginal vision and the day - dreaming mind . They would make it their concern at all costs to reveal the flickering of that innermost flame which flashes its messages through the brain ...
... mind . They would go further and introduce the marginal vision and the day - dreaming mind . They would make it their concern at all costs to reveal the flickering of that innermost flame which flashes its messages through the brain ...
Էջ 205
... Minds , into the Mind of Man . ( 8 ) James himself still kept largely to the stratum of conscious and semi - conscious motive , expressed in a sequence of discrete states of mind . Subsequent generations , however , 205 THE PROGRESSION ...
... Minds , into the Mind of Man . ( 8 ) James himself still kept largely to the stratum of conscious and semi - conscious motive , expressed in a sequence of discrete states of mind . Subsequent generations , however , 205 THE PROGRESSION ...
Էջ 221
... mind . Our minds , like our bodies , are in continual flux . ( 47 ) The associations will not be stabilised by a rational dis- cipline ; they will not be marshalled in a regular , consecutive time - series . There is no man whose ...
... mind . Our minds , like our bodies , are in continual flux . ( 47 ) The associations will not be stabilised by a rational dis- cipline ; they will not be marshalled in a regular , consecutive time - series . There is no man whose ...
Բովանդակություն
The timeobsession of fiction | 13 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock Conrad consciousness contemporary continuity conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fiction fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited living matter meaning medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence simultaneously Sterne story structure suspense symbols technique temporal tense theme thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis