Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 46–ի 1-ից 3-ը:
Էջ 13
... nature and reality by forcing their true quality , even at the expense of showing themselves unreal and unnatural . And the fiction born of the conscious intention to be natural and realistic , sometimes at the risk of becoming ...
... nature and reality by forcing their true quality , even at the expense of showing themselves unreal and unnatural . And the fiction born of the conscious intention to be natural and realistic , sometimes at the risk of becoming ...
Էջ 37
... nature to a limited number of norms and aberrations . Human nature to be intelligible must be made referable to categories , as numerous and wide as possible but still limited . Quite apart from its ethical standards that are coloured ...
... nature to a limited number of norms and aberrations . Human nature to be intelligible must be made referable to categories , as numerous and wide as possible but still limited . Quite apart from its ethical standards that are coloured ...
Էջ 107
... natural approach to presentness and immediacy is to be found in the diary and epistolary forms of the novel , but they seldom overcome the loss of intimacy that the omniscient author technique can convey . it is highly fictitious ; it ...
... natural approach to presentness and immediacy is to be found in the diary and epistolary forms of the novel , but they seldom overcome the loss of intimacy that the omniscient author technique can convey . it is highly fictitious ; it ...
Բովանդակություն
The timeobsession of fiction | 13 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock Conrad consciousness contemporary continuity conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fiction fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited living matter meaning medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence simultaneously Sterne story structure suspense symbols technique temporal tense theme thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis