Time and the NovelP. Nevill, 1952 - 245 էջ |
From inside the book
Արդյունքներ 85–ի 1-ից 3-ը:
Էջ 101
... readers on principle : But let the gentle - hearted reader be under no apprehension whatso- ever . It is not destined that Eleanor shall marry Mr. Slope or Bertie Stanhope . And here , perhaps , it may be allowed to the novelist to ...
... readers on principle : But let the gentle - hearted reader be under no apprehension whatso- ever . It is not destined that Eleanor shall marry Mr. Slope or Bertie Stanhope . And here , perhaps , it may be allowed to the novelist to ...
Էջ 122
... reader is apt to apply to himself by imaginative transfer . The reader's psychological duration , the speed with which time passes for him while he is reading , is perhaps the clearest index to how far he finds the novel interesting ...
... reader is apt to apply to himself by imaginative transfer . The reader's psychological duration , the speed with which time passes for him while he is reading , is perhaps the clearest index to how far he finds the novel interesting ...
Էջ 188
... reader's present ' is meant any reference by the author qua author to the reader at the time of reading , when- ever that may be ; in other words , whenever he recalls the reader from the time in the novel , the fictional time , to ...
... reader's present ' is meant any reference by the author qua author to the reader at the time of reading , when- ever that may be ; in other words , whenever he recalls the reader from the time in the novel , the fictional time , to ...
Բովանդակություն
The timeobsession of fiction | 13 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
13 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock Conrad consciousness contemporary continuity conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect element epic episodes experience exposition expression feeling fiction fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited living matter meaning medium method mind narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence simultaneously Sterne story structure suspense symbols technique temporal tense theme thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis