Gestural Politics: Stereotype and Parody in JoyceGestural Politics explores James Joyce s use of parody and humor in his representation of women, gays, and Irish nationalism. Author Christy L. Burns also discusses how Joyce s complex attitude toward parody and stereotyping is related to his aesthetic vision. She offers a comprehensive overview of all of Joyce s writings with a special emphasis on Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Բովանդակություն
Introduction Parody Aggressivity and Stereotyping | 1 |
The Art of Gesture Parody and Joyces Aesthetic Practice | 19 |
The word is my Wife Control of the Feminine | 51 |
In the Original Sinse The Gay Cliche and Verbal Transgression in Finnegans Wake | 87 |
In the Wake of the Nation Joyces Response to Irish Nationalism | 115 |
Rhythmic Identification and Cosmopolitan Consciousness in Finnegans Wake | 141 |
EPILOGUE | 169 |
NOTES | 173 |
WORKS CITED | 203 |
INDEX | 215 |
Այլ խմբագրություններ - View all
Common terms and phrases
aesthetic aggression allows appears archetypal argues artist aspects associative attempts becomes begins Bloom body chapter character claims clichés consciousness construction critical cultural defines definition desire disrupt Dublin Edited effects emerges episode erotic experience extremes fall female figure finds Finnegans Wake Gerty gesture gives homosexual humor identified identity influence initial insistently interest interpretation Ireland Irish James Joyce Joyce's language later lesbian Letters London male marks materiality meaning mime mind mirror moves narcissism narrative nature never notes notion object opposite paranoiac parody play pleasure politics Portrait position possibilities problem question radical reader reading reference relation representation resistance rhythm seems sensate sense sexual Shaun shift social split Stephen stereotypes struggle suggests takes textual thing thought tion transformed turn types Ulysses unconscious understanding University Press voice woman women writing York