From inside the book
Արդյունքներ 39–ի 1-ից 3-ը:
Էջ 303
Such a life is nothing new for me or for any artist.23 At the start of World War II , he had organized a course in camouflage at the Grand Central School of Art . Parsons says he was very anti - facility .
Such a life is nothing new for me or for any artist.23 At the start of World War II , he had organized a course in camouflage at the Grand Central School of Art . Parsons says he was very anti - facility .
Էջ 312
He was the most influential of the leading artists in America , the most important to everybody of any understanding . ... He was a major , important artist whose influences were direct , clear , and could not be shaken off .
He was the most influential of the leading artists in America , the most important to everybody of any understanding . ... He was a major , important artist whose influences were direct , clear , and could not be shaken off .
Էջ 356
To transmit these to the reader meant sharpening his senses , refining his feelings - it meant being an artist all the time . For if the senses are dulled and the feelings hardened , the heightened vision grows blurred and the picture ...
To transmit these to the reader meant sharpening his senses , refining his feelings - it meant being an artist all the time . For if the senses are dulled and the feelings hardened , the heightened vision grows blurred and the picture ...
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Բիբլիոգրաֆիական տվյալներ
| Վերնագիր | Ararat: a Decade of Armenian-American Writing |
| Editor | Jack Antreassian |
| Կազմված. | Jack Antreassian |
| Հրատարակիչ | Armenian General Benevolent Union of America, 1969 |
| Length | 442 էջ |
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