D.H. Lawrence: New WorldsKeith Cushman, Earl G. Ingersoll Fairleigh Dickinson Univ Press, 2003 - 281 էջ This collection of new essays by internationally renowned scholars signals a turning point in D.H. Lawrence studies. The contributors join a consensus among scholars that the beginning of the twenty-first century offers an opportunity for a critical and scholarly reconsideration of one of the major writers of the modernist period. Such a reconsideration is especially pertinent for Lawrence, for in recent years political voices within the academy have called his achievement into question. The diversity of approaches in the thirteen essays of D.H. Lawrence: New Worlds demonstrates how Lawrence studies have profited from new methodologies of the last two decades. The volume includes essays on four of the major novels (Sons and Lovers, Women in Love, The Plumed Serpent, and Lady Chatterly's Lover), but also essays on 'Kangaroo' and 'Quetzalcoatl'. Other essays engage with Lawrence's poetry, plays, and travel writing. |
From inside the book
Արդյունքներ 36–ի 1-ից 5-ը:
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... ( David Herbert ) , 1885-1930 — Criticism and interpretation . 2. Lawrence , D. H. ( David Herbert ) , 1885-1930 — Settings . I. Cushman , Keith . II . Ingersoll , Earl G. , 1938- PR6023.A93Z623397 823'.912 — dc21 2003 2002154972 PRINTED ...
... ( David Herbert ) , 1885-1930 — Criticism and interpretation . 2. Lawrence , D. H. ( David Herbert ) , 1885-1930 — Settings . I. Cushman , Keith . II . Ingersoll , Earl G. , 1938- PR6023.A93Z623397 823'.912 — dc21 2003 2002154972 PRINTED ...
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... David Ellis , Betsy Fox , Jill Franks , Lou Greiff , Takeo Iida , Dennis Jackson , Mark Kinkead - Weekes , Sheila Lahiri Chou- dhury , and Carol Siegel . We appreciate the many hours Earl Yarington III spent in help- ing to prepare the ...
... David Ellis , Betsy Fox , Jill Franks , Lou Greiff , Takeo Iida , Dennis Jackson , Mark Kinkead - Weekes , Sheila Lahiri Chou- dhury , and Carol Siegel . We appreciate the many hours Earl Yarington III spent in help- ing to prepare the ...
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... David Farmer , Lindeth Vasey , and John Worthen . Cambridge : Cambridge University Press , 1987 . The White Peacock . Edited by Andrew Robertson . Cambridge : Cambridge University Press , 1983 . The Woman Who Rode Away and Other Stories ...
... David Farmer , Lindeth Vasey , and John Worthen . Cambridge : Cambridge University Press , 1987 . The White Peacock . Edited by Andrew Robertson . Cambridge : Cambridge University Press , 1983 . The Woman Who Rode Away and Other Stories ...
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... David , locating the play among Lawrence's other Southwestern writings . Judith Ruderman's essay draws on the methodology of cultural studies to explore Lawrence's place in the debates regarding " English- ness " and " Jewishness " in ...
... David , locating the play among Lawrence's other Southwestern writings . Judith Ruderman's essay draws on the methodology of cultural studies to explore Lawrence's place in the debates regarding " English- ness " and " Jewishness " in ...
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... David Lodge , Ian McEwan , Alan Sillitoe , David Storey , and Jeanette Winterson . Many of the references are as brief as those I have already quoted and may be used simply as period " color , " as Philip Larkin does in his poem " Annus ...
... David Lodge , Ian McEwan , Alan Sillitoe , David Storey , and Jeanette Winterson . Many of the references are as brief as those I have already quoted and may be used simply as period " color , " as Philip Larkin does in his poem " Annus ...
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A. S. Byatt aboriginal American Amores animal artist Aztec Birkin Cambridge University Press Captain's Doll characters Chilchui Cipriano Connie consciousness culture D. H. Lawrence dark David death Derrida DHLR dust-jacket Edited elegies English essay experience father feels fiction Figure Frederica Frieda Gerald Girard Götzsche Gudrun human identity Imaginary Indian jacket Jewish Jews John Worthen Kangaroo Kate Kate's Kinkead-Weekes Knud Merrild Lacan Lady Chatterley's Lover language Lawrence studies Lawrence's Lawrentian letter literary Literature living London look Luhan Mabel Mellors Merrild metaphor metonymic Mexican Mexico Miriam modern modernist Morel mother myth narrative novel Pat Barker Paul play Plumed Serpent Poems Poet poetry portraits of Lawrence Quetzalcoatl Ramón readers rence rence's ritual sacrifice says scene Sea and Sardinia Seltzer sense sexual sketches Sons and Lovers story Symbolic Taos tion Tony travel writing trees Ursula victim vision Woman Who Rode Women in Love York
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Էջ 140 - The poetry of the beginning and the poetry of the end must have that exquisite finality, perfection which belongs to all that is far off. It is in the realm of all that is perfect. It is of the nature of all that is complete and consummate.
Էջ 253 - For the whole lifeeffort of man was to get his life into direct contact with the elemental life of the cosmos, mountain-life, cloud-life, thunder-life, air-life, earth-life, sun-life. To come into immediate/*?// contact, and so derive energy, power, and a dark sort of joy.
Էջ 29 - SEXUAL intercourse began In nineteen sixty-three (Which was rather late for me) — Between the end of the Chatterley ban And the Beatles
Էջ 25 - I have read Point Counter Point with a heart sinking through my boot-soles and a rising admiration. I do think you've shown the truth, perhaps the last truth, about you and your generation, with really fine courage.
Էջ 243 - But the moment I saw the brilliant, proud morning shine high up over the deserts of Santa Fe, something stood still in my soul, and I started to attend.
Էջ 152 - For my part, I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move...
Էջ 192 - And all this hoary space of bush between. The strange, as it were invisible beauty of Australia, which is undeniably there, but which seems to lurk just beyond the range of our white vision. You feel you can't see — as if your eyes hadn't the vision in them to correspond with the outside landscape. For the landscape is so unimpressive, like a face with little or no features, a dark face. It is so aboriginal, out of our ken, and it hangs back so aloof.