D.H. Lawrence: New WorldsKeith Cushman, Earl G. Ingersoll Fairleigh Dickinson Univ Press, 2003 - 281 էջ This collection of new essays by internationally renowned scholars signals a turning point in D.H. Lawrence studies. The contributors join a consensus among scholars that the beginning of the twenty-first century offers an opportunity for a critical and scholarly reconsideration of one of the major writers of the modernist period. Such a reconsideration is especially pertinent for Lawrence, for in recent years political voices within the academy have called his achievement into question. The diversity of approaches in the thirteen essays of D.H. Lawrence: New Worlds demonstrates how Lawrence studies have profited from new methodologies of the last two decades. The volume includes essays on four of the major novels (Sons and Lovers, Women in Love, The Plumed Serpent, and Lady Chatterly's Lover), but also essays on 'Kangaroo' and 'Quetzalcoatl'. Other essays engage with Lawrence's poetry, plays, and travel writing. |
From inside the book
Արդյունքներ 33–ի 1-ից 5-ը:
Էջ 28
... kind of currency enjoyed by , say , " Snake " or " Piano " : On- daatje here relies on readers having a quite extensive knowledge of Lawrence's work , and being able both to recognize the quota- tion and to locate it in a poem written ...
... kind of currency enjoyed by , say , " Snake " or " Piano " : On- daatje here relies on readers having a quite extensive knowledge of Lawrence's work , and being able both to recognize the quota- tion and to locate it in a poem written ...
Էջ 29
... kind of example for writing about the Midlands , the working class , or the mining industry . His life and literary career may be used as paradigms of class and educational mobility , of the exiled artist , of sexual freedom , or the ...
... kind of example for writing about the Midlands , the working class , or the mining industry . His life and literary career may be used as paradigms of class and educational mobility , of the exiled artist , of sexual freedom , or the ...
Էջ 31
... kind of debate with his literary practice , his imagined personality , or the dangerous allure of his presumed " beliefs " —that I have chosen in this essay to concen- trate on novels by women authors . These books illustrate some of ...
... kind of debate with his literary practice , his imagined personality , or the dangerous allure of his presumed " beliefs " —that I have chosen in this essay to concen- trate on novels by women authors . These books illustrate some of ...
Էջ 33
... kind of poise and dignity that many readers believe is progressively denied to Morel . On first meeting Mrs. Prior , Rivers notes her " carefully genteel voice , " a comment which makes more telling the text's silence on Mr. Prior's ...
... kind of poise and dignity that many readers believe is progressively denied to Morel . On first meeting Mrs. Prior , Rivers notes her " carefully genteel voice , " a comment which makes more telling the text's silence on Mr. Prior's ...
Էջ 37
... kind of doubleness in Clare , attracted by the idea of " a lady who skins rabbits " ( 68 ) . What Lawrence offers Clare is symbolized by his response to her drawings , which are detailed botanical sketches to assist her father's work ...
... kind of doubleness in Clare , attracted by the idea of " a lady who skins rabbits " ( 68 ) . What Lawrence offers Clare is symbolized by his response to her drawings , which are detailed botanical sketches to assist her father's work ...
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Common terms and phrases
A. S. Byatt aboriginal American Amores animal artist Aztec Birkin Cambridge University Press Captain's Doll characters Chilchui Cipriano Connie consciousness culture D. H. Lawrence dark David death Derrida DHLR dust-jacket Edited elegies English essay experience father feels fiction Figure Frederica Frieda Gerald Girard Götzsche Gudrun human identity Imaginary Indian jacket Jewish Jews John Worthen Kangaroo Kate Kate's Kinkead-Weekes Knud Merrild Lacan Lady Chatterley's Lover language Lawrence studies Lawrence's Lawrentian letter literary Literature living London look Luhan Mabel Mellors Merrild metaphor metonymic Mexican Mexico Miriam modern modernist Morel mother myth narrative novel Pat Barker Paul play Plumed Serpent Poems Poet poetry portraits of Lawrence Quetzalcoatl Ramón readers rence rence's ritual sacrifice says scene Sea and Sardinia Seltzer sense sexual sketches Sons and Lovers story Symbolic Taos tion Tony travel writing trees Ursula victim vision Woman Who Rode Women in Love York
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Էջ 140 - The poetry of the beginning and the poetry of the end must have that exquisite finality, perfection which belongs to all that is far off. It is in the realm of all that is perfect. It is of the nature of all that is complete and consummate.
Էջ 253 - For the whole lifeeffort of man was to get his life into direct contact with the elemental life of the cosmos, mountain-life, cloud-life, thunder-life, air-life, earth-life, sun-life. To come into immediate/*?// contact, and so derive energy, power, and a dark sort of joy.
Էջ 29 - SEXUAL intercourse began In nineteen sixty-three (Which was rather late for me) — Between the end of the Chatterley ban And the Beatles
Էջ 25 - I have read Point Counter Point with a heart sinking through my boot-soles and a rising admiration. I do think you've shown the truth, perhaps the last truth, about you and your generation, with really fine courage.
Էջ 243 - But the moment I saw the brilliant, proud morning shine high up over the deserts of Santa Fe, something stood still in my soul, and I started to attend.
Էջ 152 - For my part, I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move...
Էջ 192 - And all this hoary space of bush between. The strange, as it were invisible beauty of Australia, which is undeniably there, but which seems to lurk just beyond the range of our white vision. You feel you can't see — as if your eyes hadn't the vision in them to correspond with the outside landscape. For the landscape is so unimpressive, like a face with little or no features, a dark face. It is so aboriginal, out of our ken, and it hangs back so aloof.