D.H. Lawrence: New WorldsKeith Cushman, Earl G. Ingersoll Fairleigh Dickinson Univ Press, 2003 - 281 էջ This collection of new essays by internationally renowned scholars signals a turning point in D.H. Lawrence studies. The contributors join a consensus among scholars that the beginning of the twenty-first century offers an opportunity for a critical and scholarly reconsideration of one of the major writers of the modernist period. Such a reconsideration is especially pertinent for Lawrence, for in recent years political voices within the academy have called his achievement into question. The diversity of approaches in the thirteen essays of D.H. Lawrence: New Worlds demonstrates how Lawrence studies have profited from new methodologies of the last two decades. The volume includes essays on four of the major novels (Sons and Lovers, Women in Love, The Plumed Serpent, and Lady Chatterly's Lover), but also essays on 'Kangaroo' and 'Quetzalcoatl'. Other essays engage with Lawrence's poetry, plays, and travel writing. |
From inside the book
Արդյունքներ 38–ի 1-ից 5-ը:
Էջ 18
... never before been reproduced . ( Both Peter Preston and Cushman analyze representations of Lawrence . ) The book does not aim for comprehensiveness , but it nevertheless does justice to Lawrence's prolific , multifarious career . The ...
... never before been reproduced . ( Both Peter Preston and Cushman analyze representations of Lawrence . ) The book does not aim for comprehensiveness , but it nevertheless does justice to Lawrence's prolific , multifarious career . The ...
Էջ 31
... never mentioned in Pat Barker's novels , and she alludes only once to one of his characters , yet he has a strong presence in her work.9 Michael Ross has discussed the relationship between the two writers in terms of creative inter ...
... never mentioned in Pat Barker's novels , and she alludes only once to one of his characters , yet he has a strong presence in her work.9 Michael Ross has discussed the relationship between the two writers in terms of creative inter ...
Էջ 33
... never been able to accept that Billy was different . And I think there might have been a bit of jealousy as well , because he has , he's had a hard life . I don't deny that . A lot harder than it need have been , because his mother sent ...
... never been able to accept that Billy was different . And I think there might have been a bit of jealousy as well , because he has , he's had a hard life . I don't deny that . A lot harder than it need have been , because his mother sent ...
Էջ 37
... never before received , and she is glad that he is " prepared to criti- cize and challenge her " ( 58 , 61 ) . He encourages Clare to allow an- other side of her artistic nature to emerge , freer , bolder , more full of " life . " A ...
... never before received , and she is glad that he is " prepared to criti- cize and challenge her " ( 58 , 61 ) . He encourages Clare to allow an- other side of her artistic nature to emerge , freer , bolder , more full of " life . " A ...
Էջ 38
... never met anyone like you before " ( 310 ) . Dunmore thus empha- sizes the Lawrence of whom Lady Cynthia Asquith wrote in May 1915 , that he was " a Pentecost to one , and has the gift of inti- macy and such perceptiveness that he ...
... never met anyone like you before " ( 310 ) . Dunmore thus empha- sizes the Lawrence of whom Lady Cynthia Asquith wrote in May 1915 , that he was " a Pentecost to one , and has the gift of inti- macy and such perceptiveness that he ...
Այլ խմբագրություններ - View all
Common terms and phrases
A. S. Byatt aboriginal American Amores animal artist Aztec Birkin Cambridge University Press Captain's Doll characters Chilchui Cipriano Connie consciousness culture D. H. Lawrence dark David death Derrida DHLR dust-jacket Edited elegies English essay experience father feels fiction Figure Frederica Frieda Gerald Girard Götzsche Gudrun human identity Imaginary Indian jacket Jewish Jews John Worthen Kangaroo Kate Kate's Kinkead-Weekes Knud Merrild Lacan Lady Chatterley's Lover language Lawrence studies Lawrence's Lawrentian letter literary Literature living London look Luhan Mabel Mellors Merrild metaphor metonymic Mexican Mexico Miriam modern modernist Morel mother myth narrative novel Pat Barker Paul play Plumed Serpent Poems Poet poetry portraits of Lawrence Quetzalcoatl Ramón readers rence rence's ritual sacrifice says scene Sea and Sardinia Seltzer sense sexual sketches Sons and Lovers story Symbolic Taos tion Tony travel writing trees Ursula victim vision Woman Who Rode Women in Love York
Սիրված հատվածներ
Էջ 140 - The poetry of the beginning and the poetry of the end must have that exquisite finality, perfection which belongs to all that is far off. It is in the realm of all that is perfect. It is of the nature of all that is complete and consummate.
Էջ 253 - For the whole lifeeffort of man was to get his life into direct contact with the elemental life of the cosmos, mountain-life, cloud-life, thunder-life, air-life, earth-life, sun-life. To come into immediate/*?// contact, and so derive energy, power, and a dark sort of joy.
Էջ 29 - SEXUAL intercourse began In nineteen sixty-three (Which was rather late for me) — Between the end of the Chatterley ban And the Beatles
Էջ 25 - I have read Point Counter Point with a heart sinking through my boot-soles and a rising admiration. I do think you've shown the truth, perhaps the last truth, about you and your generation, with really fine courage.
Էջ 243 - But the moment I saw the brilliant, proud morning shine high up over the deserts of Santa Fe, something stood still in my soul, and I started to attend.
Էջ 152 - For my part, I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move...
Էջ 192 - And all this hoary space of bush between. The strange, as it were invisible beauty of Australia, which is undeniably there, but which seems to lurk just beyond the range of our white vision. You feel you can't see — as if your eyes hadn't the vision in them to correspond with the outside landscape. For the landscape is so unimpressive, like a face with little or no features, a dark face. It is so aboriginal, out of our ken, and it hangs back so aloof.