Shakespeare's As You Like itMacmillan, 1904 - 195 էջ |
From inside the book
Արդյունքներ 23–ի 1-ից 5-ը:
Էջ xlv
... songs of Shakespeare are incomparably superior to those of Lodge ; Lodge's dialogue is tiresome com- pared with Shakespeare's ; Lodge's endless repetitions . of mythological references to Ixion embracing Juno in a cloud and stories of ...
... songs of Shakespeare are incomparably superior to those of Lodge ; Lodge's dialogue is tiresome com- pared with Shakespeare's ; Lodge's endless repetitions . of mythological references to Ixion embracing Juno in a cloud and stories of ...
Էջ xlvii
... song in the second scene of Act IV for another example . A line in which there are six syllables arranged with alternation of unaccented and accented syllables is called iambic trimeter , e.g. , " Sweet lovers love the spring " ; and ...
... song in the second scene of Act IV for another example . A line in which there are six syllables arranged with alternation of unaccented and accented syllables is called iambic trimeter , e.g. , " Sweet lovers love the spring " ; and ...
Էջ xlviii
... songs in which the words at the ends of two successive lines do sound alike : " You and you no cross shall part , You and you are heart in heart . " Except for the initial letter , the word " part xlviii INTRODUCTION.
... songs in which the words at the ends of two successive lines do sound alike : " You and you no cross shall part , You and you are heart in heart . " Except for the initial letter , the word " part xlviii INTRODUCTION.
Էջ xlix
... songs as the lines in which the last syllable of a line sounds like the last syllable of the next line are verses like the following : 66 Why should this a desert be ? For it is unpeopled ? No ; Tongues I'll hang on every tree , That ...
... songs as the lines in which the last syllable of a line sounds like the last syllable of the next line are verses like the following : 66 Why should this a desert be ? For it is unpeopled ? No ; Tongues I'll hang on every tree , That ...
Էջ lxi
... song ? How does the talk between Amiens and Jaques ad- vance the action of the play ? II , 6. What later actions might you expect Orlando to perform after he has promised that he will get something to eat for Adam , if there is any live ...
... song ? How does the talk between Amiens and Jaques ad- vance the action of the play ? II , 6. What later actions might you expect Orlando to perform after he has promised that he will get something to eat for Adam , if there is any live ...
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Common terms and phrases
actors Adam Aliena Alinda Audrey banished Beau better brother called character comedy Compare line Corin court daughter dictionary doth dramatist Duke F Duke's Edited English Enter ROSALIND Exeunt eyes fair father fool forest Enter Forest of Arden fortune foul Furness Ganimede gentle give Globe Theatre hast hath heart High School humor iambic iambic pentameter Ivanhoe Jaques Julius Cæsar live Lodge Lodge's Rosalynde look Lord lover Macbeth marriage marry matter meaning mede Merchant of Venice merry Montanus motley fool Oliver Orlando passage pentameter Phebe play Poems pray prithee pronoun reference Rosader Rosalind ROSALIND and CELIA Saladyne scene Shake Shakespeare shepherd Silvius song sonnets speak speech stage Stratford sweet syllables tell Theatre thee thou art thrasonical tion Touch Touchstone Touchstone's tree verse William Shakespeare withal woman word wrestling young youth ΙΟ
Սիրված հատվածներ
Էջ 44 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Էջ xxii - Full many a glorious morning have I seen Flatter the mountain tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face...
Էջ 34 - O good old man ; how well in thee appears The constant service of the antique world, When service sweat for duty, not for meed! Thou art not for the fashion of these times, Where none will sweat, but for promotion...
Էջ 33 - When service should in my old limbs lie lame And unregarded age in corners thrown: Take that, and He that doth the ravens feed, Yea, providently caters for the sparrow, Be comfort to my age!
Էջ 50 - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Էջ 28 - Indeed, my lord, The melancholy Jaques grieves at that, And, in that kind, swears you do more usurp Than doth your brother that hath banish'd you.
Էջ 49 - All the world's a stage, And all the men and women merely players: They have their exits, and their entrances; And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms; And then, the whining school-boy, with his satchel, And shining morning face, creeping like snail Unwillingly to school: And then, the lover; Sighing like furnace, with a woeful ballad Made to his mistress...
Էջ 35 - Ay, now am I in Arden ; the more fool I ; when I was at home, I was in a better place : but travellers must be content.
Էջ 41 - Who doth ambition shun And loves to live i' the sun, Seeking the food he eats And pleased with what he gets, Come hither, come hither, come hither: Here shall he see No enemy But winter and rough weather.
Էջ 81 - If you do sorrow at my grief in love, By giving love your sorrow and my grief Were both extermined.