The Meaning of Shakespeare, Volume 1, Հատոր 1University of Chicago Press, 15 փտվ, 2009 թ. - 408 էջ In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius. |
From inside the book
Արդյունքներ 83–ի 1-ից 5-ը:
Էջ vii
... never have produced such a book . For my part , I believe we are nearer the beginning than the end of our understanding of Shakespeare's genius . Poetry forever makes itself over for each generation , and I cannot conceive a time that ...
... never have produced such a book . For my part , I believe we are nearer the beginning than the end of our understanding of Shakespeare's genius . Poetry forever makes itself over for each generation , and I cannot conceive a time that ...
Էջ 3
... never understood it till that instant . A dead truth had become a living one . I think of an almost absurd example . It concerns a little boy who might have been Cadwal at an earlier age . He had been gently reprimanded by his aunt for ...
... never understood it till that instant . A dead truth had become a living one . I think of an almost absurd example . It concerns a little boy who might have been Cadwal at an earlier age . He had been gently reprimanded by his aunt for ...
Էջ 7
... never forget that he was a playwright , " say the theatrical critics , " that he thought of his works as dramas to be per- formed by actors before an audience , not as literature to be read , either then , or , much less , centuries ...
... never forget that he was a playwright , " say the theatrical critics , " that he thought of his works as dramas to be per- formed by actors before an audience , not as literature to be read , either then , or , much less , centuries ...
Էջ 8
... never coloured by the customs of his age ; what appears of contemporary character in him is merely negative ; it is just not something else . " But he was immensely nearer the truth than the scores of scholars who in the last half ...
... never coloured by the customs of his age ; what appears of contemporary character in him is merely negative ; it is just not something else . " But he was immensely nearer the truth than the scores of scholars who in the last half ...
Էջ 11
Ներեցեք, այս էջի պարունակությունն արգելված է:.
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Բովանդակություն
1 | |
II The Integrity of Shakespeare | 15 |
III The Comedy of Errors | 25 |
IV The Three Parts of Henry VI | 28 |
V Titus Andronicus | 33 |
VI Richard III | 35 |
VII The Two Gentlemen of Verona | 41 |
VIII Loves Labours Lost | 48 |
XIV King John | 140 |
XV Richard II | 148 |
XVI Henry IV Part 1 Henry IV Part II The Merry Wives of Windsor | 161 |
XVII Henry V | 215 |
XVIII Henry VIII | 269 |
XIX Much Ado about Nothing | 271 |
XX As You Like It | 281 |
XXI Twelfth Night | 294 |
IX The PoetPlaywright | 55 |
X The Taming of the Shrew | 68 |
XI A MidsummerNights Dream | 74 |
XII The Merchant of Venice | 81 |
XIII Romeo and Juliet | 117 |
XXII Julius Caesar | 307 |
XXIII Hamlet | 331 |
387 | |
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Common terms and phrases
Antonio Bassanio battle beginning blood Brutus called Capulet casket Cassius character Comedy Comedy of Errors comes cries critics crown dead death devil disguise doth dramatic Duke eyes fact Falstaff father fear fool genius Gentlemen of Verona Ghost give Hamlet hath heart heaven Henry Henry IV Henry VI Henry's hero honor Hotspur imagination Julius Caesar Justice kill King Lear King's Laertes lines lord lover Merchant of Venice Mercutio mercy metaphor Midsummer-Night's Dream mind moral mother murder nature never night peace play poet poetry Polonius Portia Prince revenge Richard Richard II Romeo and Juliet Rosalind says scene seems sense Shake Shakespeare Shylock soul speak speech spirit story sweet symbol tell theater theatrical thee theme things thou thought throne Touchstone tragedy true truth turns Twelfth Night Tybalt unconscious utter words youth