The Meaning of Shakespeare, Volume 1, Հատոր 1University of Chicago Press, 15 փտվ, 2009 թ. - 408 էջ In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius. |
From inside the book
Արդյունքներ 47–ի 1-ից 5-ը:
Էջ 1
... stage , they disclose things hidden to the reader . Read , they reveal what no actor or theater can convey . And how many ways of reading them there are ! Not merely that each fresh voice makes them unique . The lover , the student ...
... stage , they disclose things hidden to the reader . Read , they reveal what no actor or theater can convey . And how many ways of reading them there are ! Not merely that each fresh voice makes them unique . The lover , the student ...
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... stage like an apparition . To have seen her in that character was an event in every one's life , not to be for- gotten . " Can anyone doubt that Mrs. Siddons drew from the sleep - walking scene effects that Shakespeare was unaware the ...
... stage like an apparition . To have seen her in that character was an event in every one's life , not to be for- gotten . " Can anyone doubt that Mrs. Siddons drew from the sleep - walking scene effects that Shakespeare was unaware the ...
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... stage can pretend to understand Shakespeare . Coleridge was perhaps exaggerating when he declared that " Shakespeare is never coloured by the customs of his age ; what appears of contemporary character in him is merely negative ; it is ...
... stage can pretend to understand Shakespeare . Coleridge was perhaps exaggerating when he declared that " Shakespeare is never coloured by the customs of his age ; what appears of contemporary character in him is merely negative ; it is ...
Էջ 9
... stage are slighting or contemptuous ; that it is precisely when he makes concessions to theatrical effect , as in All's Well That Ends Well , that he is least satisfactory ; that the greater his plays become the more they tend to ...
... stage are slighting or contemptuous ; that it is precisely when he makes concessions to theatrical effect , as in All's Well That Ends Well , that he is least satisfactory ; that the greater his plays become the more they tend to ...
Էջ 22
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Ներեցեք, այս էջի պարունակությունն արգելված է:.
Բովանդակություն
1 | |
II The Integrity of Shakespeare | 15 |
III The Comedy of Errors | 25 |
IV The Three Parts of Henry VI | 28 |
V Titus Andronicus | 33 |
VI Richard III | 35 |
VII The Two Gentlemen of Verona | 41 |
VIII Loves Labours Lost | 48 |
XIV King John | 140 |
XV Richard II | 148 |
XVI Henry IV Part 1 Henry IV Part II The Merry Wives of Windsor | 161 |
XVII Henry V | 215 |
XVIII Henry VIII | 269 |
XIX Much Ado about Nothing | 271 |
XX As You Like It | 281 |
XXI Twelfth Night | 294 |
IX The PoetPlaywright | 55 |
X The Taming of the Shrew | 68 |
XI A MidsummerNights Dream | 74 |
XII The Merchant of Venice | 81 |
XIII Romeo and Juliet | 117 |
XXII Julius Caesar | 307 |
XXIII Hamlet | 331 |
387 | |
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Common terms and phrases
Antonio Bassanio battle beginning blood Brutus called Capulet casket Cassius character Comedy Comedy of Errors comes cries critics crown dead death devil disguise doth dramatic Duke eyes fact Falstaff father fear fool genius Gentlemen of Verona Ghost give Hamlet hath heart heaven Henry Henry IV Henry VI Henry's hero honor Hotspur imagination Julius Caesar Justice kill King Lear King's Laertes lines lord lover Merchant of Venice Mercutio mercy metaphor Midsummer-Night's Dream mind moral mother murder nature never night peace play poet poetry Polonius Portia Prince revenge Richard Richard II Romeo and Juliet Rosalind says scene seems sense Shake Shakespeare Shylock soul speak speech spirit story sweet symbol tell theater theatrical thee theme things thou thought throne Touchstone tragedy true truth turns Twelfth Night Tybalt unconscious utter words youth